Reel SF

San Francisco movie locations from classic films

San Francisco movie locations from classic films

Harold And Maude - Harold's Residence

    After leaving the cemetery Harold drives home in his hearse.

Then ...  He approaches the entrance of his home along a road lined with eucalyptus trees.

... and Now,  this, aptly named, is Eucalyptus Avenue in Hillsborough, an uber-affluent Bay Area suburb south of San Francisco, viewed from the junction with Redington Road (map).  That particular grove of trees above has been taken out but there are still many remaining along this road.  The  tar-patched crack along the pavement, below, appears to be the joint to the original tarmac above.


Then ...  The camera pans right, tracking Harold as he makes a left turn into a long tree-lined driveway leading to his home on the family estate.  This is the Rosecourt estate at 815 Eucalyptus Avenue  (map), built in 1913 for George T. Cameron, the publisher of the San Francisco Chronicle.

... and Now,  the stylish wrought-iron gate is still there but in 1974 a new house was built here where the original driveway used to be.


   The tree-lined driveway (at far left below) leads to his home where he screeches noisily to a halt.


Then ...  Harold's mother and friends stare in astonishment at the sight of the hearse.  Behind them is the stately home.

... and Now,  the 6 bed 7.5 bath Rosecourt mansion is largely unchanged today, but shortly after the movie was filmed the estate's 7 1/2 acres was subdivided into several lots and Rosecourt was readdressed 10 Stacey Court.  The cobblestones, a nostalgic throwback to the past, were sourced from old San Francisco streets.


   This recent aerial view shows how the original estate looks today.  The subdivision added a new cul-de-sac, Stacey Court, off of Redington Road.  Rosecourt Mansion became 10 Stacey Court and its original 815 Eucalyptus Avenue address was assumed by one of the new homes.


The Laughing Policeman - Pontiac Hotel

    The search for Rodney Davis takes Larsen and Larimer to a hotel in the seedy South of Market neighborhood.

Then ...  The camera pans down from the hotel sign as they enter the hotel entrance at 138 6th Street.  In this north-facing view the narrow Minna Street intersects behind them (map).

... and Now,  the sign now advertises that the hotel has moved around the corner on Minna; its original 6th Street entrance has been boarded up for years.


Then ...  inside, they spot the man they are looking for - he takes off with Larimer in pursuit while Larsen doubles back out the front door to cut him off.  This point of view looks in the opposite direction to the image above - the incongruous classically-styled hotel doorway is behind him.

... and Now,  the restaurant with the green awnings next door to the now boarded up entrance, Split Pea Seduction, has assumed the hotel's old 138 6th Street address.


Then ...  Larsen rounds the corner into Minna in time to apprehend Rodney as he darts out a side door.  6th Street crosses down the way.

... and Now,  the door from which Rodney exited has been filled in.  The relocated entrance to the Pontiac Hotel is between the potted plants at 509 Minna.


Then ...  A crowd of locals closes in menacingly while they interrogate Rodney but they manage to take him down to the station only to conclude that the snitch who fingered him had fed them worthless information.

... and Now,  some things have changed, others not.


A note to my readers ...

Some of my blog readers have found (it's browser dependent) that part of the movie list on the left side of the blog was cut off, making it unaccessible.  To solve this the movie list has been changed so that it is accessed from a link called 'View Movies' listed at the very top of the blog ...

By clicking this link the movie list comes up.  Individual movies can then be selected to show their location list ...

 Clicking on 'View Movies' again closes the list ...

If readers have problems with this new design please alert

I Remember Mama - Aunt Trina Gets Engaged

    Aunt Trina, Mama's youngest sister and as meek as they come, surprises the family by announcing she wants to marry and has found her man, Mr. Thorkelson.  He is as timid as she and the fact that he is the local undertaker causes no small amount of mirth amongst some in the family.  But first in accordance with Norwegian tradition Aunt Trina needs the approval of the head of the family, Uncle Chris.

Then ...  Trina and her two other sisters take a cable car to Mama's house to meet Uncle Chris.  On the way they are joined by Mr. Thorkelson.

... and Now,  this is Hyde Street looking north from Chestnut with Alcatraz and Angel Island in the distance (map).  In 1950, two years after the movie was released, half of the city's cable car lines were discontinued but this one survived, albeit with a revised route.  Then in the 1980s all tracks and cables citywide were dug up and replaced but that manhole cover in the foreground is still there.  Other than changes at Hyde Street Pier on the waterfront this cable car cresting the hill creates a deja vu moment almost 70 years later.


    On the cable car Aunt Sigrid (Edith Evanson), on the left, and Aunt Jenny (Hope Landin)  urge Mr. Thorkelson (Ventriloquist Edgar Bergen, the father of Candice Bergen) to be firm and ask Uncle Chris for a dowry for Aunt Trina (Ellen Corby) , far right.  This closeup and others in the movie were filmed at RKO's studio using a cable car leased from San Francisco's California Street Cable Railroad.

... on the set ...    The car that Cal Cable sent to RKO Studios was a short Jones Street shuttle car, number 61.  RKO repainted it and retained its destination sign "O'Farrell, Jones & Hyde Streets" but renumbered it 62 to match the real cable car in the movie (the one in the Then image above).  Here's a promo still of Irene Dunne (Mama) on the cable car speaking with director George Stevens during a break in filming.

... and Now,  after San Francisco's Muni took over Cal Cable in 1954 they motorized this car, retained the number 62 and re-signed it "Van Ness Ave, California & Market Streets".  It's used for special events and bell-ringing competitions and so is still occasionally seen roaming the city streets; here it is on Mason crossing Green.

    Trivia time - what happened to Muni's original car number 62?  In 1959 it was renumbered 61, motorized and shipped to Osaka, Japan where it has been on display ever since in its Transportation Museum (below, with a photo behind it of San Francisco with Alcatraz and Angel Island in the distance).


Then ...  They all march up Mama's street with the oldest, Aunt Jenny, setting the pace.  Note the hitching post, a common sidewalk sight in 1910 when horse-drawn carts shared the streets with early automobiles.

... and Now,  this location shot was filmed on Liberty Street, also seen earlier in the movie.  These three houses are, from left to right, numbers 521, 525 and 529.  All three homes were built in 1900 but 529, on the right, has remained closest to the original.


    When they arrive at Mama's house (filmed on the RKO studio backlot) they are shocked to see that Uncle Chris has brought along his 'housekeeper', who everyone knows he has been living with for years.


    It's good news, bad news for Aunt Trina when Uncle Chris (Oscar Homolka, the only cast member of the earlier Broadway play to appear in the movie) consents to the marriage but loudly assails the hapless suitor at the very mention of a dowry. 


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