Ed Cullen's younger brother Andy has figured out that Lois Frazer was responsible for the murder of her husband and that Ed had covered it up. Putting aside family loyalties he informs the authorities and an all-points bulletin is put out for their arrest. The lovers hear it over the radio as they try to flee the city.
Then ... They make a quick U-turn and head for the nearest city exit, the Golden Gate Bridge, seen in the distance. (Click the image to enlarge it).
... and Now, hardly changed in over 60 years, this is in the upscale Sea Cliff neighborhood on El Camino Del Mar near Sea Cliff Avenue (map). (Click the image to enlarge it).
Then ... Now on Doyle Drive, aka highway 101, they are approaching the bridge toll booths.
... and Now, the bridge is way busier than it was in 1950. The toll booths are just off the picture on the left.
Then ... Uh - oh, the cops have beaten them to it and have the bridge closed off.
... and Now, some changes have taken place at the toll booths since then the biggest of which is the absence of toll-collectors, displaced in 2013 by Fastrak sensors and license plate cameras. But there's still a clock mounted in the center.
... a vintage photo ... here's a contemporaneous c. 1950 photo that adds color to the same location. Note the black-and-whites at far right.
Then ... The last San Francisco exit, into the Presidio, is right before the toll booths and Cullen takes it to avoid the roadblock. They decide to hide out at Fort Point and he is next seen heading there, turning into Long Avenue from Lincoln Boulevard (map). A sweeping vista of the Marina district and the City beyond catches our eye.
... and Now, one of those piers has been removed otherwise the marina looks as inviting as it always has. The city skyline of course has seen many changes and the tall white tower in the upper left quadrant is the new Eastern Bay Bridge structure.
... in 1947 ... coincidentally, or not, the same location was filmed three years earlier when Lauren Bacall drove Humphrey Bogart to her apartment in the movie Dark Passage.
Then ... Long Avenue runs into Marine Drive which in turn dead-ends at Fort Point. The camera pans from left to right, following them along Marine Drive. (Click the image to enlarge it).
... and Now, the same panorama today from the same vantage point. The camera was set up in front of Fort Point (map). (Click the image to enlarge it).
... in 1957 ... Alfred Hitchcock must have seen this movie. When Scottie follows Madeleine in Vertigo in the fall of 1957 the director used the identical panorama. Note that the old lighthouse keepers' houses on the right seen in the Then image above and the Vertigo image below are no longer there.
Then ... Cullen reaches his destination, old Fort Point, an army garrison once a proud lonely sentinel but now dwarfed by the towering Golden Gate Bridge.
... and Now, it seems time has stood still here in the 60-plus years since the movie was made.
Laury Palmer may be dead, but her next-door neighbor Mrs. Kraft will never forget her. She is determined the rat who killed her will be found and in the scenes that follow hires a detective to make sure it happens.
Then ... Back in Reno we are introduced to the detective Matthew Arnett (Walter Slezak) while he has his morning cup of coffee. The coffee shop scene was filmed on a sound stage but we can infer its location by the kitty-corner window view showing a glimpse of the Reno Arch.
... in the 1940s ... in this contemporaneous image from a vintage postcard the building at far left is the corner building above. Part of Harolds Club, it was on the southeast corner of Virginia Street and Commercial Row (map).
... in 1955 ... the same block was seen behind Kim Novak in the Reno heist movie '5 Against The House'. Again we can see a glimpse of the Reno arch slogan. By then the corner building had been changed - compared to the Then image above it has many more windows on the second floor.
... and Now, that whole block of casinos has been completely rebuilt since arch-rival Harrahs took over Harolds. In 1963 the arch was replaced by a redesigned version (the old one can still be seen five blocks away at Lake Street by the bridge over the Truckee River). That in turn gave way in 1986 to yet another arch, still there, below.
So the virtual location of the coffee shop was kitty-corner from the above on the northwest corner of Virginia and Commercial Row. Instead of a coffee shop there was a Flying 'A' gas station at that location back then.
Then ... Mrs. Kraft (Esther Howard) meets Arnett across from the Washoe County Courthouse on Virginia Street, featured in the opening scene of the movie.
... and Now, the county courthouse has not changed.
Despite being taken aback at Arnett's nerve in asking for a $500 advance she hires him anyway. (The wiley gumshoe had already found out that Mrs. Kraft had inherited Laury's house and money).
(A Bunker Hill movie in a San Francisco blog? CitySleuth explains why).
Homer and his friend Rico (Rico Rodriguez) stop by Rico's pad by way of the 3rd Street tunnel.
Then ... They first swing by the newspaper stand at the lower terminus of the Angels Flight funicular (described earlier in this blog) on the southwest corner of Hill and 3rd Street (map) where the impassive, ever patient vendor waits for the next late night customer.
... and Now, here's how this corner looks today.
Then ... As they walk across Hill Street in this panorama the 3rd Street tunnel regresses behind them for three blocks to where it emerges near Flower Street. At far left is the Redondo Cafe at 301 S. Hill Street next to Angels Flight (with the newspaper stand) and at far right is the Royal Liquor store at 259 S. Hill (click image to enlarge).
... and Now, it became a very different junction after the massive redevelopment of the late 1950s and 1960s. The buildings on either side of the junction were razed and Angels Flight was relocated a half block south. The tunnel is still there but its entrance was extended to create a foundation for the modern structure built above it.
... in 1957 ... the vintage photo below captured the same junction by day.
... in 1965 ... and here's what urban cleansing had wrought just a few years later, part way into the Bunker Hill redevelopment program.
Then ... Rico nips into the Royal Liquor store for a bottle of booze then they head through the tunnel on their way to his rented rooms, swigging the bottle (overtly wrapped in a paper bag - who are they trying to fool?) as they go.
... and Now, a recent photo reveals that the tunnel looks just the same inside, except for the painted-over graffiti (a modern, not a 1950s, phenomenon).
Then ... They climb the stairs to Rico's place on the third level of this apartment house.
... in 1955 ... this is the backyard of 916 W. 1st Street between Figueroa and Fremont (map). Long since demolished, the building was captured here in this vintage 1955 photograph, looking northeast - the hillside across 3rd Street can be seen on the left. Two of the same clotheslines can be seen in both images.
... and Now, the Promenade Towers apartment complex now sits not only on this site but also the entire block. The arrow points to where Rico's backyard used to be, at the far corner of its pool area.
Looking in the opposite direction we see, from Rico's balcony, the narrow alley that led to the backyard (it ran along the right side of the pool above). The view across the city looks to the southwest.
If it's a genuine San Francisco police thriller then it has to include the old Hall Of Justice. This movie is no exception.
Then ... Taking a break from the murder investigation the two brothers leave the Hall Of Justice, stepping out to Kearny Street for a Chinese lunch.
The same shot was used a year earlier in the 1949 movie Impact.
... and Now, the old Hall Of Justice faced Portsmouth Square Plaza from its location at 750 Kearny Street in Chinatown. It was demolished in 1967 and replaced by a Holiday Inn hotel, now the Hilton San Francisco Financial District (map).
Then ... They walk the few steps to the Yen Yen Cafe at 716 Kearny on the corner of Merchant Street. Its sign juts out, just above Andy's fedora.
Three years earlier in the 1947 movie The Lady From Shanghai, the identical camera placement captured Orson Welles fleeing from the Hall of Justice with the Yen Yen Cafe sign again clearly visible.
... and Now, there's still a Chinese eatery, the Garden Restaurant, at that corner location. But at left we see that the imposing Hall Of Justice is gone.
Then ... Inside the cafe Andy cannot understand why Ed persists in trying to pin the Frazer murder on the youth who shot the liquor store owner. Yes it was the same gun but the evidence suggested he didn't have access to it until after Frazer was killed. Portsmouth Square Plaza is seen across Kearny through the window but what's that white building in the park?
... and Now, the plaza today is no longer a gently sloping open space - it was sacrificed to make way, behind these trees, for an uninspiring two level park with underground parking.
And that white building? It was a replica of the city's first schoolhouse, originally located at Portsmouth Square, which happened to be on display in the plaza for the California Centennial observance when the movie was filmed. Here's the schoolhouse in 1951 as it was being moved from the plaza to City College, slated to be a museum exhibit.
There isn't a view of the front of the Yen Yen Cafe in the movie but in this capture from The Lady of Shanghai filmed three years earlier as Rita Hayworth runs through the plaza we can see the half block of Kearny between Merchant (just off the left edge of the picture) and Clay Street to the right. The white van on the left is parked in front of the cafe. The awning just to the right of the van belonged to Puccinelli Bail Bonds at 714 Kearny (also visible in the other Lady From Shanghai image above).
... and Now, the half block today still looks the same except for different store tenants. The Garden Restaurant at left has expanded from the original Yen Yen Cafe corner space and now spans the full width of the host Wood Building.