To get the 'Now' photos for this post CitySleuth found the site, sneaked (snuck?) onto the roof, talked his way onto the penthouse patio across the street where Hitchcock had set up his camera, and went to the Fairmont Hotel Tower to get a reverse overview photo. Where there's a will ...
In the dramatic nighttime opening sequence detective John 'Scottie' Ferguson (James Stewart) trails a policeman chasing a suspect across a series of rooftops...
Then ... Scottie climbs onto the rooftop via the fire escape ladder. This scene was filmed at Paramount Studios using a rear-projection of the view south across Washington filmed from the roof of 1302 Taylor. A large building dominates the skyline behind him.
... and Now, the background building is the Brocklebank Apartments, featured later in the movie, and behind it is the Fairmont Hotel Tower, not yet built when Vertigo was filmed. At far left is another newer building, 555 California, originally the Bank of America Building.
Then ... The chase was filmed on location by a camera panning right to left from Washington Street across the rooftops of 1302 to 1360 Taylor (map). The Brocklebank apartments is at far right and Coit Tower at far left. The white building dead center is the U.S. Appraisers building at 630 Sansome. The Spanish Colonial roofline facades of the buildings in the lower foreground helped CitySleuth pinpoint this location.
... and Now, for this shot Hitchcock set up his camera across Taylor Street. Today the Appraisers Building is one of the few recognizable buildings in the densely rebuilt Financial District.
The arrow points to where the camera was set up - on the penthouse patio of 1329 Taylor.
From street level: below left is 1329 Taylor - the flag marks where the camera was. At right opposite is the Taylor Street rooftop block - note those same Spanish Colonial roofline facades.
And finally, a reverse view of the entire location showing (1) where Scottie climbs on the roof, (2) where Hitchcock set up the camera and (3) the route traversed during the chase.
Then ... The suspect jumps between rooftops followed by the policeman and then Scottie. But he can't hold on and the audience holds its breath as he slides down. This footage was filmed in the studio using a rear-projection of the east view filmed from the rooftop of 1360 Taylor.
... and Now, in this matching shot several of the fore- and mid-ground buildings are unchanged.
He ends up hanging perilously on a gutter. His police buddy holds out a helping hand but slips and falls to his death. How Scottie is rescued is never explained, a trademark Hitchcock McGuffin, but the experience leaves him with a serious case of acrophobia - the dread feeling of vertigo.
There are two window views seen in the Hall of Justice scenes ...
1. View from Lt. Guthrie's Office
Lt. Ben Guthrie (Warner Anderson), on the right, discusses the case in his office with fellow investigator Insp. Al Quine (Emil Meyer). This scene was filmed on a studio set and although the art director went to great measures to reproduce the distinctive arched windows of the Hall of Justice the photo they chose to represent the view is of the 1926 Financial Center Building at 500 California Street with the Bay Bridge in the distance. An odd choice because the real Hall of Justice view, across Portsmouth Square and sloping up to Nob Hill, would have been very San Francisco.
Then ...
... and Now, the once dominant building (arrowed) is now but one of many after decades of Financial District growth. In 2001 it became the Omni Hotel (map).
... from 1961 ... take a look at this vintage photo, below, taken inside one of the actual offices in the old Hall Of Justice and compare it to the movie office set above to see how well the window style was reproduced. Their window view is of Coit Tower and Telegraph Hill; the same view was used in the 1949 movie Impact.
2. View from the Crime Lab
Investigators in the crime lab discover a package of heroin hidden in an inexpensive statuette in the stolen bag. This window view, once again unrelated to the real Hall of Justice location, is a photo of Russian Hill taken from the base of Coit Tower. The vertical sign visible just above the seated lab worker advertised the Lyon Van and Storage Co. at 1520 Stockton Street.
Then ...
... from 1952, as verification, check out this vintage photo of Russian Hill viewed from the top of Coit Tower - the tall building right of center, also visible above, is the 945 Green Street apartment building (map).
... and Now, 945 Green looks the same but is now sandwiched between the incongruous Royal Towers apartments at 1750 Taylor Street and the apartment building at 999 Green Street.
The police take the stolen bag to the crime lab and begin their investigation into the theft.
Then ... The lab is in the old Hall Of Justice, at that time San Francisco's police headquarters at 750 Kearny Street, facing the Portsmouth Square Plaza (map).
... and Now, the imposing original building with its distinctive fan shaped window arches was razed in 1967 and replaced by a hotel, the Hilton San Francisco Financial District.
A replacement Hall Of Justice was built at 850 Bryant Street in the early 1960s (map). Here it is today (below).
The truck carrying Parry to freedom rumbles up a road offering ample views of San Quentin prison across San Francisco Bay. This is Paradise Drive, a 10 mile scenic road running alongside San Francisco Bay between Corte Madera and Tiburon. Refer to the map below as locations featured along the way are described.
Then ... Here, the truck is passing 5050 Paradise Drive, at location A above. San Quentin Prison is across the bay at far right.
... and Now, the roof of 5050 is just visible but a line of trees obscures the view.
... but there's a clear spot just down the road where the prison comes into view.
Then ... Hidden inside the oil drum Parry rocks it back and forth until it falls off the back of the truck and rolls down a hill. He is free at last as the camera pans up to another view of San Quentin Prison, framed by foliage in the style of a 19th century California landscape painting.
... and Now, this matching view was taken from Paradise Drive, 0.1 miles south of Taylor at the junction with Ranch Road, location B on the map above.
Then ... Parry flags down a passing car and the driver, who introduces himself as Baker (Clifton Young), gives him a ride. As they continue south along Paradise Drive Baker hears a police alert on the radio and, startled, comes to a halt. Once again the prison is seen in the distance.
... and Now, the same view was taken 0.3 miles south of the Trestle Glen Blvd junction in front of 4092 Paradise Drive, location C on the map above. The Paradise Cay Marina, not there in 1947, is in the center of this view.