Then … Ms Milner has gotten over being stood up; she wants to try again. She calls Teddy from a bar and suggests they meet at Le Club restaurant at Clay and Jones. Once again he thinks it’s the Woman In Red who is calling and readily agrees.
… and Now, the Le Club restaurant interiors were filmed in Koreatown, Los Angeles at the Prince Restaurant at 3198 1/2 W. 7th Street. Its retro period decor has made this place a go-to location for dozens of movies and TV series over the decades. Note both Then and Now the yeoman statue in front of a red latticed window frame.
Then … Teddy arrives trying his best to look cool with a cigarette dangling from his mouth. Again, this was filmed in the Prince restaurant in Los Angeles. Note the red door over to the right…
… and Now, it’s been over 40 years but the door and the railing have hardly changed. (Photo by Syd Rev).
Then … The instant he sits down he realizes who had called him. He lets out a yelp and promptly hightails it out of there.
… and Now, three latticed windows behind them identify the two booths at The Prince where the above scene was filmed. (Photo by J.P. Shelton)
Then … He rushes out - now we are back in San Francisco at the Clay-Jones residential highrise building at 1250 Jones Street, the very address that Ms. Milner had given Teddy. Note the signage at left on the awning and below the window - there was indeed a Le Club restaurant in the 1980s here in the lobby level of this building (the white ‘LE CLUB’ letters look like they were added for this movie shot).
… and Now, 1250 Jones today. It has hosted a succession of restaurants over the years: after Le Club closed Charles Nob Hill succeeded it from 1995 to 2004, followed by C.A.L. Steakhouse then by the Michelin-starred Keiko a Nob Hill from 2011 to 2021. Currently the building is residential only - no restaurant.
Then … as he rounds the corner, the eye-catching view east down Clay Street encompasses the TransAmerica Building and the Embarcadero Center high-rises with the Bay Bridge beyond.
… and Now, the view is essentially unchanged today.
Then … Ms Milner pursues him, watching as he jumps into the back seat of his car.
… and Now, minor changes here - awnings have been added at left on the side windows of 1250 Jones and the street signs have been replaced.
If looks could kill … Teddy fakes a heart attack but she shows no sympathy, leaning in to release the handbrake… fade out as the car rolls down the hill to blasting horns, screeching brakes and crunching metal.
Still fuming the next morning she walks up to Teddy and slowly and deliberately tips a bottle of ink over his desktop.
The movie opens with an establishing shot of the Golden Gate Bridge - we are in San Francisco. The view looks from the ocean side into the Bay; the misty outline of Angel Island is discernible under the span on the right.
We tag along with a nautical guide as it leads us into the city …
Then … A birds-eye view shows San Francisco’s crowded Financial District/Downtown area clustered around its tallest building, the 52-story Bank of America Center completed in 1969. Over on the right the Bay Bridge reaches out to Yerba Buena Island on its way to Oakland.
… and Now, it’s even more crowded today because of the encroachment of the Financial District into the South of Market neighborhood. In 2018 the 61 story, 1.1 billion dollar, bullet-shaped Salesforce Tower assumed the tallest building bragging rights. In the center Market Street, arrow-straight, points directly to the Ferry Building at the Bay’s edge.
Then … Finally we arrive in Nob Hill. The camera slowly pans from the Park Lane Apartments on the left past distant high-rise apartments atop Russian Hill, ending up at the classy building on the right where we see an apparently suicidal man standing on a ledge.
… and Now, that building is the Brocklebank Apartments at 1000 Mason Street (map). The photo below looks over the rooftop of the Pacific Union Club to the Brocklebank. On the left is the Park Lane Apartments and at far right the Fairmont Hotel from whose roof the above panorama was filmed (photo by Ron Henggeler. Check out his excellent website of San Francisco and Marin County photographs).
… and Now, here’s a closer look at the Brocklebank, again with the Fairmont at far right. The elegant building is approaching its centennial - it was built in 1926.
In 1958 Alfred Hitchcock chose the Brocklebank for the home of Kim Novak’s character Madeleine in ‘Vertigo’. Below, she walks to her green Jaguar parked in the courtyard. (Trivia time - San Francisco’s favorite journalist Herb Caen lived in this building and was a less-than-proud owner of a white Jaguar - persistent reliability problems prompted him to refer to it as “the white rat”).
Then … The seagull alights right next to the man on the ledge. This view looks out from the Brocklebank to the Pacific Union Club at lower right, the Huntington Hotel in the upper right corner and the Fairmont Hotel’s international flag array at lower left.
… and Now, viewed from behind the Brocklebank, here’s a recent Google aerial of those buildings. This wider view also shows Huntington Park on the right and the Mark Hopkins Hotel at upper left.
The man on the ledge is Theodore ‘Teddy’ Pierce (Gene Wilder). But why is he there? And why is he wearing a bathrobe? And what’s the significance of the seagull next to him? Even he doesn’t seem to know, asking himself in voiceover … “How the hell did I get up here?”. This scene is a flash-forward; all will be explained as the movie unfolds.
(If you are wondering if that really was Gene Wilder nine stories above the Brocklebank’s courtyard, not so - a stunt man was used for the wide shots. Gene filmed his close-ups at ground level on a Hollywood backlot).
Jo has had his money returned but is still curious as to the whereabouts of Chan. He decides to ask his friend Mr. Fong (Leong Pui Chee). For this scene director Wang chose to have them speak in Chinese so that his American audience could experience the lilt and cadence of the Cantonese accent.
Then … They meet at Brenham Place bordering the west side of Portsmouth Square between Clay and Washington.
… and Now, in 1985 Brenham Place was renamed Walter U Lum Place in recognition of the Chinese American civil rights advocate born in San Francisco in 1882. The plaza was redesigned in the 1990s but the view from here retains a similar look today.
Then … Mr. Fong doesn’t know where Chan is. He tells Jo he has just given a talk at the Chinese Cultural Center on, appropriately, Chinese culture. He explains there’s more to it than eating. There’s north versus south, there’s ancient versus modern. He gives examples in poetry and in opera, breaking out into stanza and song to illustrate the differences. The building behind him is the Chinese Congregational Church at 21 Brenham Place.
… and Now, the church is still there, captured in this recent photo that also captured a rare sight for Chinatown - a destitute street person.
Mr. Fong also shares a Chinese lantern riddle which Jo recounts afterwards to Steve while they are parked at the edge of the bay. They have a good laugh at its sexual connotation. Lantern riddles date back 1200 years to the Song Dynasty; they were written on the sides of lanterns at Chinese Lantern Festivals where participants were rewarded for correctly solving them.
Then … They are parked at Fort Point in the Presidio below the Golden Gate bridge (map).
… and Now, the only change today is a more mundane, but safer replacement in 2023 of the chain barrier alongside the water’s edge causing some consternation amongst regular visitors, CitySleuth amongst them, who preferred the prior maritime look.
… in 1958 … but there was an even more mundane barrier there when Scottie followed Madeleine to Fort Point 66 years ago in the movie Vertigo.
Rippling waves in the bay mirror Jo’s thoughts; the mystery is appropriately Chinese - what’s not there seems to have just as much meaning as what is there. Nothing is what it seems to be. He questions his Chinese-ness; he can’t accept a mystery without a solution.
Then … Back once again at Chester’s Cafe at 1269 Mason (described earlier) Jo nurses a beer, lost in thought. Across the street on the left is the Junior Co Bakery at 1250 Mason.
… and Now, the most recent tenant in the 1250 Mason space was an art gallery, Orangeland .
‘The Last Edition’ is a critically well-received silent movie that tells two stories in one: First, it presents a turbulent period in the life of an employee of the San Francisco Chronicle newspaper - we watch him in quick succession experiencing disappointment, pride, shock, rage and redemption - and second, actual employees reveal how from start to finish a newspaper article is written, typeset, composed, printed and distributed.
Then … The movie opens with a San Francisco establishing shot of a view looking east towards the Ferry Building and the Bay, it was taken from the top of the newly built (in 1925) Park Lane Condominiums at 1100 Sacramento Street atop Nob Hill (map). At far right is the shadowy outline of the Fairmont Hotel and there’s a tall scaffold in the foreground - the beginning of construction of the Brocklebank Apartments which were completed one year later in 1926.
… in 1963 … That matching view today from the Park Lane would be blocked by the Brocklebank but here’s a vintage photo taken from the Brocklebank 38 years later in 1963 of the same view revealing not a lot of change except for the Bay Bridge (completed by 1936) and, at the far right edge in the foreground, the Fairmont Tower (completed behind the extant Fairmont Hotel in 1962).
… and Now, taken from higher up in the Brocklebank, this recent photo captures how the Financial District has dramatically changed since then. The Fairmont Tower is just out of this view on the right.
… and Now, a Google aerial view gives another perspective (the Ferry Building is glimpsed between two of the Embarcadero Center high-rises).
