Then … Scorpio takes over the wheel of the school bus, veering sharply from side to side on East Sir Francis Drake Boulevard in an attempt to dislodge Callahan. The railroad trestle from which Callahan jumped onto the bus crosses behind them near the highway flyover.
… and Now, the removal of the trestle (described in more detail in the previous post) cleared the way for the road to be widened and for the newer bicycle/pedestrian bridge seen here to be built. Mount Tamalpais punctuates the skyline in both images.
Then … Right ahead is Larkspur’s Hutchinson Co. crushed rock quarry. Callahan’s dangling head and gun drives Scorpio nuts; he continues the violent swerving. (Note the small cottage at far right - more on that in the next post).
… and Now, the quarry site was cleared and redeveloped in the mid-to-late 1970s, becoming the Marin Country Mart shopping center, a hotel, offices, apartments and the Larkspur Landing Ferry Terminal. The matching view below on East Sir Francis Drake Boulevard looks towards the shopping center. Note the same electric pylon on the horizon in the center of both images.
The bus slides to a halt in a cloud of dust in front of the giant dilapidated Hutchinson building; Scorpio leaps out and runs off, pursued by Callahan.
… in 1972 … This photo of the building with its warped curvilinear roof was taken a year after Dirty Harry was filmed there.
… and Now, the red outline shows where that building used to be within today’s Marin Country Mart. For a frame of reference, the Farmer’s Market roadside banner in the foreground is the same one as in the ‘and Now’ aerial photo three images above.
The adversaries trade bullets during a hectic chase through the quarry buildings and conveyors.
When Scorpio spots a young boy fishing on a platform at the water-filled quarry pit out back he grabs him, maniacally screaming at Callahan to drop his gun. More than any other this frame captures the amazing job Andy Robinson did inhabiting the role. Rage personified.
Callahan faces Scorpio for the final showdown. He’s in a quandary … now what?
Then … He slowly lowers his gun, then … BANG!! … he lets fly a shot inches from the boy’s head, hitting Scorpio in the shoulder, allowing the boy to escape. What else would we expect from Dirty Harry?
… and Now, the Serenity At Larkspur (previously called Larkspur Shores) apartment complex covers this site today. Were Dirty Harry to fast forward on that same spot this is what he would see.
… and Now, the arrow shows where the final showdown took place. A small ornamental lake is the only reminder of the water-filled gravel pit that preceded it.
CitySleuth zeroed in on where the building and the showdown platform used to be by overlaying a 1968 aerial photo on a map of the area today. (Click or tap the image to toggle between them). (You can also clearly see the railroad trestle crossing East Sir Francis Drake Boulevard in the 1968 image, at bottom left).
When Scorpio reaches for his gun Callahan, for the second time in the movie, delivers his iconic ‘Well, do you, punk?...’ monologue. (The first time the punk didn’t feel lucky. He made the wrong decision).
This time the punk did feel lucky. He made the wrong decision.
Having finally got his man, Callahan calls it quits - he hurls his inspector’s badge into the water and walks away. As the end credits begin to roll a reverse view of the quarry complex shows Highway 101 in the background with the platform where Scorpio met his demise in the center foreground.
Then … Jo thinks his friend George who is the administrator of the Newcomer’s Language Center may know where Chan is. A sidewalk-mounted camera captures him here walking north on Grant Avenue on his way there.
… and Now, this is Grant at Clay Street.
Then … He passes the corner store, Empress Fine Arts, at 801 Grant.
… and Now, the Fanloli gift shop recently took over this location.
Then … he continues along Grant; gift shops abound on Grant Avenue - another one is just ahead, Hong Kong Art Goods, at 815 Grant.
… and Now, the World of Magnets now occupies that store. Grant Avenue, originally named Calle de la Fundación, then Dupont Street, is San Francisco’s oldest street. These days its concentration of gift shops and restaurants attract the tourists; Chinese residents shop elsewhere, mostly Stockton Street and the crossing streets.
Then … A class is in full swing at the Newcomer’s Language Center where a white instructor leads a group of adults in English drills.
… and Now, Citysleuth turned to director Wang as to the whereabouts of the language center. It was on the 4th floor of the Sing Chong building on the corner of Grant Avenue and California Street at what was then called the Chinatown Resource Development Center. (Photo by Matthew X. Kiernan).
In his office George remembers Chan Hung, but not specifics about where he can be found. Instead he talks about how Chan, like many immigrants, wanted to stay fully Chinese, reluctant to assimilate ... “of course that’s a problem”. Then there are those who try to be just like white Americans …“that also presents a problem - they’re not white”.
Then … He points to a pie on his desk from the Sun Wah Kue restaurant, using it as an analogy by saying that it’s traditional American apple pie but cooked with Chinese baking techniques and so has a different taste. “When we deal with our everyday lives that’s what we have to do”. (Coincidentally, Sun Wah Kue is Cantonese for Newcomer).
… and Now, The role of George was played by George Woo, a friend of director Wayne Wang. George was a teacher at San Francisco State who would stop by to give talks at the language center (where Wang himself used to teach English). Over lunch at the Sun Wah Kue restaurant at 848 Washington Street on the corner of Ross Alley they came up with the idea of the apple pie analogy. It’s still a restaurant, now called San Sun.
An observant eye would notice that when Jo leaves the language center he walks along the same block as he did when he went to the center. Compare this image at Grant and Clay to the first one in this post; although this time filmed from across the street it appears that they were separate takes from the same photoshoot, perhaps filmed as an editing option except both ended up being used. (That’s the same trash receptacle in both images).
Then … The bus carrying Scorpio and the kidnapped schoolchildren is seen at top right driving west along John F. Kennedy Drive in Golden Gate Park past a small herd of bison, a species native to North America.
… and Now, this is the park’s 11-acre bison paddock; it’s been there since 1899 (map). The bison were introduced to the park in order to help save the species which at that time had been hunted close to extinction from an estimated 60 million in the wild when the European colonists first arrived. CitySleuth stopped by recently to take this matching photo from near the same spot.
Then … The bus next crosses the Golden Gate Bridge heading north to Marin County. The view looks back past the south tower towards San Francisco.
… and Now, from a macro perspective the bridge looks the same but a closer look below reveals added safety railings along the pedestrian walkways on either side and a center barrier that is moveable to accommodate the diurnal change in rush hour traffic flow.
Then … They are now in Marin County; the bridge is behind them as they climb the Waldo Grade on US highway 101 , about to enter the Waldo tunnel.
… and Now, a convenient little turnout area was the perfect spot for both the filmmakers’ and CitySleuth’s camera (map).
Then … The camera tracks the bus as it heads into the tunnel. The Waldo tunnel opened in 1937 as a single-bore (the one on the left); the second bore, completed in 1954, enabled one-way traffic in each direction. The archways were rainbow-painted in 1970, prompting an alternative name: Rainbow Tunnel.
… and Now, the tunnel was renamed in 2016 in memory of beloved Marin County comedian and actor Robin Williams following his tragic suicide.
… in 1947 … on a trivia note, here’s Lauren Bacall driving her Woodie wagon out of the original two-way bore in one of CitySleuth’s favorite SF movies: Dark Passage.
Then … Scorpio orders the bus driver to take the Sir Francis Drake Blvd Larkspur exit. The exit sign is outside the Larkspur city limit, marked by the next sign just ahead.
… and Now, what appears to be the same sign is still there but it’s now inside today’s city limit sign. One or both have been moved from where they were when the movie was filmed. A comparison of the background hills Then and Now reflects California’s seasonal brown/green change.
Then … As the bus exits, Scorpio’s jaw drops; he spots Callahan standing on a railroad trestle spanning Sir Francis Drake Blvd at the highway exit.
Boy, that Eastwood pose on the trestle sure looks familiar - remember him 6 years earlier in The Good, The Bad and the Ugly? Don’t mess with these guys, O.K.?
… and Now, the trestle, built in 1884 by the Northwest Pacific Railroad, is no longer there - it was removed in 2003 after being damaged by a passing tractor-trailer. More recently (2015) a bicycle/pedestrian bridge has been built alongside where the trestle used to be (the arrow points to extant trestle remains).
Then … Callahan gets set as the bus approaches …
… and Now, viewed from the same vantage point there’s now an unobstructed view of the 101 highway flyovers in the absence of the trestle bridge.
When he makes a daring leap onto the roof of the passing bus we fear for the schoolchildren, realizing the showdown must come…
Steve and Jo return to Chan’s hotel room (they had also tried earlier). Once again there’s no answer. But the neighbor whose door is opposite calls out through his closed door and tells them that they should look for the woman who took the photographs from Chan’s room. What the ? … the plot thickens.
Later, they persuade the manager to let them into Chan’s room but it was clear he had moved on. They find newspapers with cut-out articles - perhaps the clippings they had earlier found in Chan’s jacket pocket about the flag-waving murder at the parade? They could also see that a photo had been removed from a wall - they had heard Chan took photos at that parade and wondered if it could be one of those.
When a woman calls at their garage asking for Chan Hung, Steve follows her back to her house. He and Jo go there later and greet her with her daughter Jenny outside the entrance of her house; it turns out she’s Chan’s wife - they hadn’t even known that he was married. This shot was taken from her upstairs living room.
Then … Steve stays behind while the others enter the house. The sidewalk has three utility covers (arrowed) which helped lead CitySleuth to this location.
… and Now, the house is at 416 20th Avenue in the Richmond district (map). The small arrows point to the utility covers, unchanged in over 40 years; the large arrow points to the living room window through which the above shots were filmed. This same house was also used to film Steve and Amy’s kitchen scene earlier in the movie.
Chan’s wife (Ellen Yeung) hasn’t seen her husband since they separated over a year earlier. She tells them Chan never was happy in America … “He’s too Chinese”. The more he learns about Chan the more Jo realizes how little he had known about him. The window is the same one shown above.
The same room was filmed in Wayne Wang’s delightful 1985 follow-on movie Dim Sum: A Little Bit Of Heart. Note the same sofa. Interesting trivia - this was filmed in the home of Laureen Chew who plays Steve’s sister Amy in Chan Is Missing and who has a leading role in Dim Sum.
Then … Later, when Steve suggests they go to the police to report their missing $4,000 he gets ribbed mercilessly by Jo who’s often heard him complain about them. Steve gets defensive … “It’s a fine line between a criminal and a cop … forget you, man!”. This scene was filmed in front of Chester’s Cafe at 1269 Mason Street (a favored hang-out of theirs appearing several times throughout the movie - here it is in an earlier scene).
… and Now, the matching view looks south along Mason towards Nob Hill (the Brocklebank apartments visible on the left at the top of the hill, was the home of Madeleine, Hitchcock’s duplicitous femme fatale, in the 1958 movie Vertigo). The brick building on the right is the Washington/Mason Cable Car Barn and Powerhouse; the cluster of SF Muni vehicles on the sidewalk is in front of its garage both Then and Now.
The barn was built from 1885 - 1887 as part of the city-wide transportation system prompted by the 1873 invention of the cable car by wire-rope manufacturer Andrew Smith Hallidie (photo by Paul Vidler). The barn is still fully operational and since 1974 it has housed a free must-see cable car history museum.
