Reel SF

San Francisco movie locations from classic films

San Francisco movie locations from classic films

The Last Edition - The Chronicle Building

The movie has many scenes filmed both inside and outside the San Francisco Chronicle Building.

Then … For the exterior shots the movie crew filmed outside the Chronicle headquarters at 690 Market on the corner of Kearny (map). Built in 1889, the building is shown here viewed from the Call Building opposite. The Chronicle moved in 1924 to a new location at Fifth and Mission Streets across from the old U.S. Mint, so this building must have been vacant when the movie was filmed here the following year.

 

… and Now, 690 Market is still there; it became a for-lease office building after it was vacated in 1924, known as either the Old Chronicle Building or the de Young Building. In 2004 a developer secured a permit to double its height in return for seismic-strengthening and restoration of the original building. By 2007 the odd-looking 24-story hybrid structure opened as the Ritz-Carlton Club and Residences, offering condominium apartments in the $1 million to $4+ million range.

 

Then … Tom MacDonald (Ralph Lewis) has been the Chronicle’s assistant Chief of Printing for over 20 years. Here he is operating one of the newspaper’s printing presses. But this and all of the other Chronicle interior scenes were filmed in the new building just 3 long blocks away.

… in 1924 … here’s the new Chronicle Building at 901 Mission Street (map) the year it opened. Architecturally styled as Gothic Revival, it included an apartment below the clock for proprietor and publisher M. H. de Young who alternated between weekdays here and weekends at his Hillsborough residence. The building extended along Mission to the right and along 5th Street to the left as far as Minna Street. (Photo by Moulin Studios).

… and Now, the Chronicle is still housed here, but no longer occupying all of the building as some parts have been leased out during periods of downsizing. In 1968 the exterior was ‘modernized’ with stucco and some of its ornamentation was removed; it’s now arguably inferior compared to its prior grandeur. Note at far left there’s an added extension across Minna Street. Note too that one of the original arched entrance doors on Mission (behind the bus shelter, below) is no longer there.

Here’s Chronicle owner M. H. de Young relaxing in his palatial apartment in the new Chronicle Building in 1924. His permission would have been required for the moviemakers to film there a year later. (Photo by Moulin Studios).

 

Then … This shot of Tom in the Press Room shows the massive printing presses behind him. They were in a double-height space that extended vertically from basement level. On the left beneath the wall lamp are two man-lifts that transported employees down to and up from the sub-basement where the paper reels were stored. (there is a moment later in the movie when you see them being used).

… in 1924 … this vintage photo shows those same presses, 14 in a row, viewed from the other direction, with what appears to be man-lifts on the right. (Photo by Moulin Studios).

… in 1924 … photographer Gabriel Moulin took this photo of another pair of man-lifts elsewhere in the building. The one with the pole whisked the man down; the other, up. No way would OSHA allow their use nowadays. (Photo by Moulin Studios).

 

Then … Next, a brief shot shows newspapers sliding down a chute. The man on the right leans down from the back of a Chronicle delivery truck, scooping up the bundles.

This grainy 1920s photo shows the truck or one just like it backed up to the chute outside the building. The chute connected to a mailroom upstairs.

… in 1924 … this is the mailroom where the papers were bundled up prior to sending them down to the delivery trucks. The employees are all obediently posing for photographer Gabriel Moulin. (Photo by Moulin Studios).

 

Then … We see a vendor selling the papers on the corner of 5th Street, opposite the Chronicle building. The fenced garden fronts the U.S. Mint just off the frame on the left and on the right is the 5th Street Stage Terminal at the corner of Jessie, owned by the Pickwick Stage Lines. Market Street crosses in the distance.

… and Now, the 5-globe streetlight and an updated fire hydrant can still be seen at this corner today. The Pickwick Hotel across 5th on the right, built in 1928, incorporated the stage terminal which later became a Greyhound terminal (featured in the 1947 movie Dark Passage). It has long since closed down.

 

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