Reel SF

San Francisco movie locations from classic films

San Francisco movie locations from classic films

Woman On The Run - Eleanor's Apartment

    The sardonic Inspector Ferris (Robert Keith) interviews Frank's wife Eleanor (Ann Sheridan) in her apartment.  He wants her to help the police find her husband Frank, who has gone into hiding out of concern that the killer will come after him.  She is somewhat reticent and her demeanor suggests their marriage has been a little shaky.

 

    There is no single location for Eleanor's apartment.  No less than five different locations, four in San Francisco and one in Los Angeles, are used throughout the movie to represent where it was.  Here they are in the order in which they appear...

Apartment Location 1

Then ...  Eleanor climbs onto the rooftop of her building to avoid the police tails posted outside her house.  She is joined by a journalist, Danny Leggett (Dennis O'Keefe) who has offered to pay her well for Frank's story if she helps find him.  This was filmed in a studio with a real San Franciscan view projected behind them.  But that view looks awfully familiar...  oh yes, this is the view looking east from the Top O' The Mark hotel; the same view was used earlier in the movie's Opening Credits.

... and Now,  it's a very different view today from the Top O' The Mark ever since high rise office buildings invaded the Financial District.  But the Bay Bridge and Yerba Buena Island remain constants.

 

Apartment Location 2

    Still on the rooftop, looking in another direction, we see aview not from the Top O' The Mark, but from the other side of Mason Street across from the hotel.

Then ...  This is the view from the rooftop of 819 Mason looking south down Mason towards the Victorian styled apartment building on the corner of Pine Street.  The neon sign of the Clift Hotel glows in the background.

... and Now,  819 Mason (the yellow house) and the corner apartments are shown here from the courtyard of the Mark Hopkins hotel.  The building with the house-like structure on the roof, left of center at top, is the Clift Hotel; the sign is still there.

 

  By now you would be forgiven for concluding Eleanor's apartment is meant to be somewhere on Nob Hill.  But wait ...

Apartment Location 3

    Another view from the same rooftop ...

Then ...  This time though the view is from Bunker Hill in Los Angeles!  It looks down South Hill Street, across 1st Street, filmed from the top of the Hill Street tunnel; the same view was seen earlier in the movie in the Investigation scene.

... and Now, Bunker Hill has been flattened - this is South Hill Street from 1st Street today.

 

Apartment Location 4

   Later, Eleanor is dropped off outside her home at night, in yet a different part of San Francisco.

Then ...  In the distance the Bay Bridge's central concrete caisson can be seen in a view only possible looking east from Clay Street.

and Now, the identical view down Clay, taken from outside 1265 Clay near Jones where the cab (above, parked on the left) dropped her off. Just a small part of the bridge and caisson is seen from here now, hidden by newer buildings.

 

Apartment Location 5

    Finally, after all these 'views from', we get a good direct look at her apartment house, and of course it's somewhere else again.

Then ...  Eleanor climbs the steps of her apartment building.  This is 1801 Laguna Street on the corner of Bush in the Western Addition or, more specifically, lower Pacific Heights.

... and Now,  the biggest difference is the absence of oil on the road now that the auto makers know how to design cars without leaks.

Dark Passage - Irene's Apartment

    They arrive at Irene's apartment house at 1360 Montgomery Street, Telegraph Hill (map).  The mid-1930s art deco Malloch house caused much controversy when it was built due to its (for those days) large size.  Irene's apartment is No. 10 on the 3rd floor.

Then ...  the house sits at the top of the lower section of the Filbert steps.  Union Street is at the top of the hill, past the narrow Alta Street on the left.

... and Now,  This sgrafitto ornamented Streamline Moderne building has hardly changed in over 60 years, in fact it looks even better now.

 

  The front of the Malloch house features etched windows and an unusual glass-block elevator.  Below is a night view of the elevator shown later in the movie compared with how it looks today.

                Then ...                                                      ... and Now

 

  Then ...  The building has been meticulously maintained and still retains its original art deco accoutrements, as here in the open lobby.

... and Now,  it's great to see something that's totally unchanged in so long!

 

Then ...    And as Irene leads Parry from the elevator to her 3rd floor apartment we can't help but admire the etched glass windows and stylish railings.

... and Now,  same glass, same railings, even the same elevator call button.  That incongruous red sign though is a result of the regulated era we now live in.

 

    When CitySleuth stopped by here the dweller in Irene's apartment had obviously seen Dark Passage - there was a Bogart cutout displayed in the window

  Here's a closer look at it.

Woman On The Run - Investigation

    The police arrive to investigate the murder.

Then ...  the camera view from atop the Hill Street tunnel shows the Bunker Hill Central Police Station down at street level left of center, and at right, receding into the distance, South Hill Street leading to downtown Los Angeles.

... vintage photos,  showing at left, Central Police Station on 1st Street in the 1940s, and at right in 1939, South Hill Street from 1st Street with the tall Title Guarantee Building at Pershing Square way down the street.

... and Now,  Hill Street south from 1st Street today.  The only recognizable structure from 1950 is the distant Title Guarantee Building, still there.

Woman On The Run - Witness to a Murder

    Johnson witnesses a man being shot and narrowly escapes when the killer takes a pot-shot at him.

Then ...  The car takes off, leaving the body behind.  Note the two houses behind the dead man - on the right is the Harmonia Apartments at 138 N. Hill Street and the one to the left is 150 N. Hill Street on the corner of Court Street.

from 1924 ...  this vintage aerial photo shows us where those two houses were, on the Hill Street block above the Hill Street Tunnel in Los Angeles.  The tunnel's double bore, the left one for streetcars, the right one for cars, is seen left of center at the bottom of the photo.  The old Hall of Records building, long gone, is at center right and the Hotel Broadway is dead center, stepping up the slope where the Court Flight cable car used to run.

... and Now,  a Google satellite image of this city block.  Bunker Hill was flattened and hauled away starting in the 1950s and redeveloped as an extension of the Civic Center.  The buildings seen above and in the movie capture no longer exist.  As a reference point, the Los Angeles City Hall is just visible in the top right corner.

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