Then … Throughout the movie we see several shots of the exterior and interior of the city’s main police headquarters. Here Callahan and Gonzalez approach the main entrance, filmed in front of San Francisco’s Hall of Justice, South of Market at 850 Bryant Street (map).
… and Now, the spillover of the Financial District transforming SoMa has yet to reach this block.
Then … Later we see the front of the Hall of Justice; the door at far left is the main entrance. The Seal of the City and County of San Francisco is prominently displayed on the side of the building.
… and Now, the building looks essentially the same today. The seal is still there, hiding in the shade of the now-matured trees.
Then … Earlier in the movie Callahan descends into the building from the roof. This too was filmed at the Hall of Justice, on the rooftop’s helipad.
… and Now, an aerial view shows that the helipad is still there but it’s no longer in use.
Then … Images from two of the interior scenes are shown below. On the left is the office of Callahan’s boss in room 750 and on the right the D.A.’s office in room 710. But these were not filmed inside the Hall of Justice; instead, a brochure accompanying the Blu-Ray disc tells us that they were filmed on the 7th floor of the PG&E building…
… and Now, but the brochure doesn’t say which PG&E building it was - there were two of them when the movie was filmed. The recent photo on the left below shows the original 1925 building downtown at 245 Market Street. The photo on the right is taken around the corner on Beale Street; it shows the original building on the left and a new taller structure next to it at 77 Beale Street which opened in 1971, the year the movie was filmed. So… which one was it? Several online movie location sites claim it was the new building at 77 Beale, but CitySleuth disagrees…
Why? Because exterior windows visible in another office scene give us the clue. The design is a pair of side-by-side windows with a wider separation between each set, matching those on the Market Street and Beale Street sides of the original building, above. The new building’s windows are completely different. So CitySleuth nominates the 7th floor of the original 245 Market Street building (map) as the filming location of the interior scenes.
Then … Mason returns to the room where Moxley was murdered, looking for more clues. This location, at 1850 Sutter Street in Japantown, was described in detail in an earlier post.
… and Now, new buildings were built on the 1800 block of Sutter Street during the Western Addition redevelopment project; the sidewalk tree below is in front of where 1850 Sutter used to be.
He finds a possible clue, a discarded matchbox with a hotel name on the cover.
… in 1938 … These are all of the hotels listed in the 1938 South San Francisco city directory. In the real world there was no Fremont Hotel here.
Then … Mason dispatches Spudsy to follow up on the lead. He finds out that Doris Pender, one of the hotel’s residents, had made a phone call to Moxley the night of his murder. He heads to the Irving Theatre where she is onstage singing.
San Francisco did indeed have an Irving Theatre, listed in the 1935 City Directory at 1342 Irving Street in the Inner Sunset (map). But from the 1941 photo below it’s clear that the marquee doesn’t match the one in the movie; clearly that was a studio creation. The Irving opened in 1926 and closed in 1962, destined for demolition.
… and Now, the building at far left above (back then it housed a Safeway grocery store) is still there today (below), but the theater and the rest of the block to the right were replaced in 1963 by two apartment buildings. The grey building, now re-addressed as 1330 Irving, is where the theatre used to be.
It turns out that the singer had married Moxley a year earlier (so the scoundrel was also a bigamist). After her performance she tells them only that he had been threatening her.
Spudsy tracks down her roughneck brother, Oscar Pender, suspecting that on her behalf he may have tried to get even with Moxley. Pender wasn’t exactly cooperative; his only response was a punch to Spudsy’s jaw.
Then … George has arranged to meet Monica at the Marina Green parking lot in the Marina district (map). The high-rise residential towers of Russian Hill array the skyline at left and upscale homes lining Marina Boulevard on the right have a view towards the bay across the Marina Green.
… and Now, Those homes are built on land filled in for the 1915 Panama-Pacific International Exposition, in some cases using rubble from the 1906 earthquake. 20 years after the movie was filmed the 6.9 Loma Prieta earthquake resulted in significant damage here caused by liquefaction of the fill. Short memories equates to great opportunities - this would have been a great time to buy because today those homes sell in the 3 to 5 million dollar range. But they still sit on the same landfill.
The earthquake hit this Marina apartment building particularly hard - the car sits under what was its 3rd floor.
Then … A cab drops Monica off. She looks every inch the high-class hooker that she is as she walks to his car. At center in the Bay is Alcatraz and off to the left, Angel Island.
… and Now, second verse, same as the first.
Then … She gets in and they drive off, still tailed by the insurance investigator. Everyone will recognize the Golden Gate bridge but probably not that structure just ahead. It started life during WW2 as a wartime degaussing building for demagnetizing large boats…
… and Now, … eventually closing down in the 1970s but recently reopening as the Marina Harbor Master Office.
Then … Any SF showcase movie has to include Chinatown, right? Director Fulci obliges by routing them along Grant Avenue, San Francisco’s very first street (it was originally named Dupont Street).
… and Now, The shot looks south along Grant across Washington Street (map). Despite being so close to the transformed Financial District it’s great that this neighborhood has resisted change since its reconstruction following the 1906 earthquake and fire. May that continue to be the case.
Then … At her apartment she wastes no time getting down to business. George is more than happy to participate in what follows - the movie’s second salacious romp amongst the sheets.
Then … Scorpio has threatened to kill a Catholic priest; acting on a hunch that he might return to the Dante Building rooftop on the corner of Union and Stockton in North Beach where he was seen earlier (it has a clear view of Sts. Peter and Paul church), Callahan and Gonzalez station themselves on the rooftop of a taller nearby building, viewed here from the Dante Building roof. As if anticipating the sinful episode about to take place, its roof displays a Christian message on a rotating vertical neon sign.
… and Now, this is the rooftop of 1520 Stockton Street (map), a half block from the Dante Building. Looming in the background is the former Bank Of America building at 555 California Street; Scorpio picked off his first victim from there.
Coincidentally, the aformentioned earlier scene showed a brief glimpse of the sign, on the right below, which by the way was built especially for the movie.
… and Now, when the movie was filmed 1520 Stockton housed the Medical Insurance Division of California Blue Shield; the current tenant is the main clinic of North East Medical Services, a health provider in Chinatown mostly serving the Asian community. The Dante block is visible further down the block at 1606 Stockton.
Then … From his vantage point Callahan scans the Dante building roof for signs of the killer. Note the brightly-lit top floor apartment next to it at 570 Union Street - it will shortly become a major distraction. An illuminated block of Stockton Street recedes in the background and the Catholic Church is partially visible in the top left corner.
… and Now, this recent aerial view shows those buildings relative to each other. The yellow ‘X” marks where the ‘Jesus Saves’ sign stood.
Pay attention, Harry! A young woman walking around naked in the 570 Union Street apartment has caught his eye. She even unashamedly opens the door for visitors.
They suddenly realize that Scorpio is on the roof. A high intensity gun battle between the buildings ensues, Scorpio’s automatic weapon giving him the edge. He pins them down, gleefully destroying the neon sign before fleeing.
Then … They rush down; once again Scorpio has made his escape, on the way shooting a policeman dead, his third victim.
More of the location details are visible in this publicity still taken during the filming. It’s the narrow Jasper Place alley, looking south across Union Street (map). The exact spot is shown by the red cross in the aerial view four images above.
… and Now, here it is today, unchanged except for exterior house paint.
