Chan Hung resided at the Hotel St. Paul at 935 Kearny Street (map). Jo and Steve go there a number of times to try to find him but each time he was, er, missing.
Then … In this composited vertical panorama of Jo parked in front of the hotel note its art deco sign. Note too across Kearny the Chevron Chinatown service station with its Chinese styled buildings. The Sentinel Building, aka Columbus Tower, is partially visible on the left and on the right across Jackson Street from the gas station is the empty lot where the International Hotel used to be before being callously demolished in 1979, only months before this scene was filmed.
… and Now, the hotel is still there but has been renamed Hotel North Beach; how neat that the original art deco sign was retained. A modern extension of the Sentinel Building with commendable integral styling has replaced the gas station and across Jackson a new residential International Hotel opened in 2005 on the site of the old - a long-overdue salve on the wound caused by the City’s brutal overnight eviction of its elderly residents in 1977.
…. In 1960 … Stepping back in time a little more, here’s a 1960 photo of the Sentinel Building from FoundSF showing the gas station before its structure was orientalized, the original red-brick International Hotel and off to the right the Hotel St. Paul blade sign at the corner of Kearny and Pacific.
Trivia for Trekkies: in this 1986 scene from Star Trek - The last Voyage Home Kirk, Spock et al appeared at this same location. Note the blade sign partially visible above the Winchell’s sign. By then the International hotel had been demolished.
Then … As Steve exits the hotel you can see the name written on the overhead glass.
…. In 2007 … an archival Google Street View image from 2007 captured the same Kearny Street doorway when it was being remodeled as a window. The hotel still had its original name then.
… and Now, here it is today. Note the blade sign on the corner of the building - compare it to the original on the far right side of the 1960 image above; the name was simply changed at the top.
Around the corner on Pacific two ghost signs on the side of the hotel still display the original name.
Then … They return later. Note that the door is an in-swinging half-glass single door whereas the earlier exterior view of the main entrance (see the Then image above) shows an out-swinging all-glass double door.
… and Now, director Wang has confirmed to CitySleuth that this staircase was filmed inside the Hotel St. Paul. The closest match that CitySleuth found at the hotel is the one below, looking down to the converted main entrance; the issue of the different doors is still unexplained.
They knock on Chan’s door but there’s no answer. CitySleuth recently walked the Hotel North Beach corridors; they had not been modernized but he found them not to match the styling in this movie shot. What’s more, a corridor junction next to an exterior window, as below, doesn’t exist there, suggesting that it was filmed elsewhere. Except director Wang recalls that it was indeed filmed in the St. Paul.
Scorpio is next seen watching pole dancers perform on a platform in the middle of the dimly-lit Roaring 20’s nightclub at 552 Broadway Street (map)…
Then … but he’s less than thrilled when he spots Callahan, clearly not there for the show.
… in 2010, the nightclub closed down during the pandemic, preventing CitySleuth from getting a current interior photo. But Dirty Harry fan Malcolm Czopinski has been there; in 2010 he took photos of the manager and one of the dancers by the pole dance platform for his Dirty Harry appreciation blog.
Scorpio heads for the exit, barely (excuse the pun) heeding the action alongside him. Callahan follows him out.
Then … in this panorama Callahan is walking past the Hungry I club on the right after exiting the Roaring 20’s. A liquor store sits between the two clubs.
… and Now, the liquor store, Broadway Cigars and Liquors, is still there under the same name; the clubs on either side of it however have yet to reopen since the pandemic (reportedly the Hungry I has just reopened only the bar). Ominously the sad facade of the Roaring 20’s on the left recently posted a For Lease sign.
Pre-pandemic, below, this block was the centerpiece of Broadway’s red light district; it’s now a sorrier version with only the Condor back in business.
Then … Scorpio has threatened to kill a Catholic priest; acting on a hunch that he might return to the Dante Building rooftop on the corner of Union and Stockton in North Beach where he was seen earlier (it has a clear view of Sts. Peter and Paul church), Callahan and Gonzalez station themselves on the rooftop of a taller nearby building, viewed here from the Dante Building roof. As if anticipating the sinful episode about to take place, its roof displays a Christian message on a rotating vertical neon sign.
… and Now, this is the rooftop of 1520 Stockton Street (map), a half block from the Dante Building. Looming in the background is the former Bank Of America building at 555 California Street; Scorpio picked off his first victim from there.
Coincidentally, the aformentioned earlier scene showed a brief glimpse of the sign, on the right below, which by the way was built especially for the movie.
… and Now, when the movie was filmed 1520 Stockton housed the Medical Insurance Division of California Blue Shield; the current tenant is the main clinic of North East Medical Services, a health provider in Chinatown mostly serving the Asian community. The Dante block is visible further down the block at 1606 Stockton.
Then … From his vantage point Callahan scans the Dante building roof for signs of the killer. Note the brightly-lit top floor apartment next to it at 570 Union Street - it will shortly become a major distraction. An illuminated block of Stockton Street recedes in the background and the Catholic Church is partially visible in the top left corner.
… and Now, this recent aerial view shows those buildings relative to each other. The yellow ‘X” marks where the ‘Jesus Saves’ sign stood.
Pay attention, Harry! A young woman walking around naked in the 570 Union Street apartment has caught his eye. She even unashamedly opens the door for visitors.
They suddenly realize that Scorpio is on the roof. A high intensity gun battle between the buildings ensues, Scorpio’s automatic weapon giving him the edge. He pins them down, gleefully destroying the neon sign before fleeing.
Then … They rush down; once again Scorpio has made his escape, on the way shooting a policeman dead, his third victim.
More of the location details are visible in this publicity still taken during the filming. It’s the narrow Jasper Place alley, looking south across Union Street (map). The exact spot is shown by the red cross in the aerial view four images above.
… and Now, here it is today, unchanged except for exterior house paint.
Then … George exits the Broadway Parking Station on the left in North Beach at 425 Broadway, close to Montgomery Street (map). Across the street looking west down Broadway we see the colored signs of the Finocchio club at 506 Broadway, Vanessi’s restaurant at 498 Broadway and the Chi Chi club at 440 Broadway.
… and Now, All of those establishments have since closed - Chi Chi’s is currently The Cosmo Bar and Lounge - but parking is still available where the Broadway Parking Station was.
Then … He turns the corner and heads two blocks south to 807 Montgomery Street where he enters Varni’s Roaring Twenties nightclub, famous for its nude girl-on-a-swing. A gas station, Tripoli’s was adjacent to it on the corner of Jackson Street and the Jackson Square garage (with the Chevron sign) was on the corner across Jackson.
… and Now, the club closed down years ago; the building is now either vacant or closed during the pandemic. A new office building replaced Tripoli’s gas station in 1987.
In Blake Edward’s terrific 1962 noir Experiment In Terror, Glen Ford watches Lee Remick enter the same club, described in more detail here.
In 2010, Citysleuth took this photo of the club building which at that time was occupied by the law offices of well-known lawyer Arnold Laub, a risible change from its preceding licentious tenant.
Then … The club was on two floors. The upper was at street level; it had a large opening in the center, protected by a surrounding railing which allowed a clear view down to the lower floor where we see George walking to his table. Check out the girl-on-a-swing.
… and Now, Arnold Laub let Citysleuth access the building in 2010. This is the street level - the Montgomery Street entrance is straight ahead. By then the floor opening had been filled in and the space completely remodeled into offices.
Then … Jane figured out where George had gone and joined him. From here the railing at the upper level can be seen at the top of the stairs behind the girl-on-a-swing.
… in 2010 … the filled-in upper floor opening is partially visible here looking up from what used to be the club’s lower level.
To the titillation of the audience the featured stripper, Monica Weston (Austrian actress Marisa Mell, again) performs a strip-tease astride a gold-plated 1958 Harley-Davidson Duo Glide.
They both watch, open-mouthed - the stripper is a dead ringer for George’s dead wife, Susan. Meanwhile in the background we spot the insurance agent, still watching George’s every move.
On a trivia note, a year earlier George C Scott dined in the upper level of Varni’s Roaring Twenties club in the 1968 movie Petulia. There’s the girl-on-a-swing again! This scene was definitely filmed at Varni’s but differences in the railing and the swing details between the two movies gives Citysleuth a sneaking feeling that director Fulci recreated the club at the Cinecittà Studios in Rome (where most if not all of the movie’s interiors were filmed), inspired perhaps by Hitchcock’s studio recreation of Ernie’s restaurant in Vertigo.
