One On Top Of The Other - Reunited
Then … As Jane’s train approaches the San Luis Obispo station, the camera zooms out from a closeup of the station name. But hold on… there’s snow on the ground… in Southern California’s San Luis Obispo? Gimme a break! A business sign on the left reveals where this was really filmed - at the Reno SP station in Northern Nevada (map). (Incidentally, this train is heading towards San Francisco!).
… c. 1930 … Reno’s SP Depot dates back to 1868 but this was the fifth building, built in 1926, following four fires that destroyed its predecessors. Smartly (duh!) constructed with brick and stucco it has survived to this day. Here’s a vintage postcard image of it.
… and Now, the depot building, at upper right, hasn’t changed (except it’s now an Amtrak station) but the train tracks surely have. In 2005 a deep trench spanning several blocks was excavated to lower the tracks to enable unimpeded bridge crossings for the city streets.
As the train grinds to a halt note the railcar with a dome and a name-plate on its side…
Jane gets off the train looking morose, as though she regrets splitting up with George. The trains pulls out, revealing the name of that coach: Silver Chalet.
This was one of the Vista Dome cars belonging to Western Pacific’s California Zephyr that regularly ran between Chicago and Oakland, each of which had a unique name - here’s a vintage photo of it. Reader CDL points out in the comments that the California Zephyr did not run through Reno; what’s more, the locomotive pulling the train (top photo) is a Southern Pacific, not Western Pacific, locomotive. Western Pacific discontinued the Zephyr in 1970; perhaps they sold some railcars to Southern Pacific prior to then.
Then … But, surprise! George’s mad dash to catch the train got him there in time.
… in 1928 … another early postcard image shows the depot from the same perspective; Lake Street crosses the tracks in the foreground.
… and Now, a recent Google Street View image taken from the same spot shows why the train tracks were lowered; no need since then for street traffic control like that seen above.
Their eyes meet, her face lights up …
Then … Reunited, they are an item again.
… in 1947 … 22 years earlier Lawrence Tierney and Claire Trevor had been filmed on the same platform in the excellent noir Born To Kill.