Reel SF

San Francisco movie locations from classic films

San Francisco movie locations from classic films

Nora Prentiss - The Singer

Then … In his office after a long day Dr. Talbot prepares to leave for home. Through the window the lights of the Bay Bridge trace out its upper and lower roadways as they pass over the massive concrete anchorage at the center of the span. The Ferry Building Clock Tower is visible on the waterfront.

In 1961 … For the above studio scene the window view was most likely a painting based on the view of the bridge looking east along Clay Street as captured in this vintage photo taken from Powell Street. This is the only place where the relative lateral positions of the bridge anchorage and the Ferry Building match the movie view.

… and Now, the Financial District has become so densely packed since then that it’s surprising a glimpse of the Bay Bridge anchorage is still visible from here. The landmark brick building on the right at 965 Clay Street, designed by Julia Morgan in 1932, was for more than 50 years the Chinese YWCA. It was shuttered and renovated following significant damage in the 1989 earthquake; the current tenant, since 2001, is the Chinese Historical Society Museum.

 

Then … As he steps out of his office he hears screeching brakes and a scream across the street. Note the Mei-Ling House restaurant next door at 777 Sutter Street; had he not had a meal awaiting him at home he may well have popped in to enjoy some Chop Suey, the Chinese dish of choice in those days.

… and Now, 777 Sutter became the home for 57 years of the pioneering top-notch French restaurant Fleur de Lys. It has been shuttered since 2014 but a fleur de lys emblem is still emblazoned on the awning. In 2017 a developer bought the property and has filed plans to build a 26 story ‘skinny tower’ housing 36 apartments. For shame!

 

Then … He rushes across Sutter to help. The neon-signed Sutter-Jones drugstore is on the corner.

… and Now, it’s been almost 80 years but today’s view up Jones is almost completely unchanged, with one major exception: the absence of the O'Farrell, Jones & Hyde cable car tracks. The line was shut down and abandoned in 1954, seven years after this scene was filmed. The streetcar tracks crossing in the foreground along Sutter are also long gone.

 

Then … A van driver has hit a pedestrian - he jumps out and rushes to her. This corner location has Warner Brothers backlot written all over it!

… and Now, here’s the real-world location with Cafe Bean on the corner at 800 Sutter Street in place of the movie’s fictitious Central Drug Co.

She isn’t too badly injured, a bruised knee, so he takes her up to his clinic where a dab of an appropriate lotion seems to do the trick. They chat, she somewhat sassy and he, to her amusement, stern and proper.

 

Then … Her learns her name is Norah Prentiss and she’s a nightclub singer. She lives “at the Golden Gate Apartments down the street on the other side from the clinic” so the chivalrous doctor accompanies her to make sure she arrives safely. They seem to be heading towards the brightly lit entrance opposite.

… and Now, that building is the Lucerne Apartments at 766 Sutter - the Golden Gate Apartments referenced in the movie were fictitious.

Then … This closer look at the apartment entrance as they arrive is puzzling. What's clear is that this too is a studio backlot location. What’s not clear is why the filmmakers went to great lengths to duplicate the Lucerne Apartments entrance’s architectural details, even the steps, but abruptly cut off the two windows on the right side (compared to the Then image above.) What’s more, the car parked in front doesn’t match and the exterior lamp is higher up. This kind of continuity goof is unusual, even in low budget noirs.

… and Now, the entrance today. It matches the movie’s wide shot.

 

As they part she playfully apologizes for being a little “fresh” with him; by now he’s mellowed a little and doesn’t seem to mind.

 

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