Reel SF

San Francisco movie locations from classic films

San Francisco movie locations from classic films

Filtering by Tag: Fisherman's Wharf

Chan Is Missing - Pier Pressure

Then… Jo and Steve meet on the municipal pier at Aquatic Park (map), a place popular with local fishermen who enjoy the added bonus of great views in all directions. The 1400 foot-long circular pier was built in 1933; it has slowly deteriorated over the decades resulting in its recent closure to the public in 2022. That’s Pier 45 at Fisherman’s Wharf in the background at upper left, drawn in by the telephoto lens.

… and Now, the fishermen above were between the two lampposts below, near the far end of the sweeping breakwater pier. For the matching photos in this post Citysleuth found online images taken pre-closure. The cylindrical concrete structure seen ahead was meant to be a concessions stand complementing two similar ones on the shore at Aquatic Park but it never was completed.

 

Then… Steve wants to know why Jo refuses to go to the police about the stolen money. When Jo defends Chan, talking about his struggle to find his identity in America, Steve gets angry. In the background we see the liberty ship S.S. Jeremiah O’Brien berthed at Fort Mason, a rare survivor of the 2,710 liberty ships built to supply troops and critical materiel to Europe during WWII.

… and Now, The Jeremiah O’Brien was berthed here for many years but has since been moved to Pier 35. Note the decaying condition of the municipal pier’s concrete wall; note too the fence that was erected down the middle to exclude the public from this more dangerous seaward-facing half of the pier before it was finally closed completely.

This 1982 photo shows the Jeremiah O’Brien at its Fort Mason berth around the time Chan was filmed (compare it to the Then image above). It has been completely restored and is one of only two liberty ships still operational today. Interesting trivia - its engines were filmed for the engine room scenes in the movie Titanic.

 

Then… Steve lays into Jo, telling him there are no identity problems in the community any more. His voice rises … “What are you tripping on this sh-t for? The guy f-cked up man, he couldn’t cope with it”.

… and Now, in both photos we see an art deco building alongside the Aquatic Park beach at far left. Originally a bathhouse, it’s now a maritime museum.

… in 1948 … The pier and the bathhouse are seen here in 1948, nine years after the depression-era W.P.A-funded Aquatic Park project officially opened to the public (the aforementioned unfinished concessions stand is visible at the end of the pier). Designed to resemble an ocean-going ship the sleek streamline-moderne building provided swimmers with changing rooms and showers . At one time it also housed a private upscale restaurant and nightclub until outraged protests succeeded in shutting it down. Note the sidewalk waves lapping against the Beach Street entrance - a touch of whimsy.

… and Now, The bathhouse became a maritime museum right after troops who used the building during WWII handed it back. Hey, those waves are still there today!

 

Then… Steve gets increasingly agitated but Jo is adamant; he won’t report his friend to the police. They separate, backs turned.

… and Now, the Golden Gate bridge is but one of the many fine views from here. The pier wall was showing damage 40 plus years ago, above, but is far worse now, below.

 

Back at Chester’s Cafe they sit, wordless, Steve silently stewing. Chester’s was popular with workers from the cable car barn at the end of the block, some of them seen here in the background.

 

One On Top Of The Other - Where is Elizabeth O'Neill?

While looking at photos of fashion models at Jane’s studio George recognizes one of them; she was the nurse who had been on duty at his home the night Susan died. Knowing he is prime suspect number one in the police investigation and vehement in denying culpability, he realizes that finding her might help him.

 

Then … Jane wants to help George find the nurse. She meets her partner Larry at a photoshoot in the Japanese Tea Garden in Golden Gate Park (map). The Torri Gate is behind the model posing at the top of the steps and behind that, the multi-tiered Pagoda. At left is the Temple Gate.

… and Now, CitySleuth was disappointed on arrival to find the Pagoda undergoing renovation, wrapped in plastic. A couple of notable changes are apparent: the Temple Gate is now a taller structure following a renovation in 1985 after deterioration of the original and the Torri Gate is gone, having been removed to storage in 2001, also because of deterioration.

But no worries, here’s a 2012 image showing the Pagoda without the offending shroud. The gardens were immaculately kept back then before the pandemic shutdown.

 

Then … Knowing that Larry had hired the nurse she asks him if he can remember her name or how to get in touch with her. From here the Pagoda is viewed across an ornamental lake; the glimpse of red at far left is part of the Temple Gate.

… and Now, 53 years later here’s that same boulder Jane was resting against. Also the leaning tree trunk next to it.

 

Then … Elsewhere in Golden Gate Park, Larry (French actor Jean Sobieski) recalls only that the nurse was an occasional hooker on the side.

… and Now, they were a ten minute walk away at the Conservatory of Flowers (map), a botanical garden in a vast greenhouse thought to be inspired by the one in Royal Kew Gardens in Richmond, London. The Conservatory opened in 1879 and over the decades since then has survived two serious fires, years of inadequate maintenance and a devastating wind storm in 1995 that smashed 40 percent of its glass panes, necessitating an 8 year closure. A blessing in disguise because following a $25 million restoration it reopened in 2003 in the pristine condition seen here. Compare it to its shabby state above.

 

Then … Jane asks Larry to hire Monica to pose for a photo layout at her studio as a ruse to find out if she knows the nurse. He makes the call from a phone booth at Fisherman’s Wharf. (Check out his cool British sports car, a late 1960s Morgan Plus 4).

… and Now, the matching shot was taken from the Red & White Fleet terminal at Pier 43 1/2 (map). The yellow Fisherman’s Wharf circular sign so recognizable to tourists is seen in both Then and Now images.

Car buffs might enjoy this fine example of a 1968 Morgan +4 on display at a concours d’elegance - compare it with Larry’s.

 

Jane sets Monica up for the shoot in a steamy interaction between the two to the sexy strains of composer Riz Ortolani’s score. She has already found out from inquiries around the club circuit that the nurse’s name was Elizabeth O’Neill and that she was a dancer who had in the past worked with Monica.

But the erotica suddenly ends when Jane flashes an image of Elizabeth on a screen and George appears, offering to pay for information on her whereabouts. Monica, angry, would only say that she had left town some time ago.

 

One On Top Of The Other - Phone Call

Then … George decides he has to find out more about doppelgänger Monica West. Knowing only that she’s a high-class hooker he calls her from a phone booth at Hyde and Beach (map) to make an ‘appointment’. Behind him across the street was the 1907 Haslett Warehouse which together with the adjacent Cannery building once comprised the world's largest fruit cannery. Cannery operations ceased in 1939 but the building continued on as a warehouse.

… and Now, In 2002 the warehouse survived a fire that destroyed the interior while it was being converted to a hotel, the Argonaut. Undaunted, the hotel opened in 2003 and is still in business there today. The phone booths (there were two) are no longer there.

 

Then … He walks to his Corvette parked at the Hyde Street cable car terminus. The view looks across Aquatic Park Cove towards the Golden Gate Bridge and the Marin County hills.

… and Now, The city’s cable car system underwent a $60M safety rebuild from 1982 - 1984 including a re-positioning of the Hyde Street terminus turntable and its approach tracks. In today’s matching view the bridge is obscured but Sausalito’s hillside houses are still visible on the right as also seen above.

 

As he turns into Hyde he passes the telephone booths from where he had made the phone call. That’s the Hyde Street pier entrance straight ahead on Jefferson Street at the bottom of Hyde.

 

Then … As the Corvette crosses Beach Street the insurance agent tailing George leaps into his 1969 Ford Galaxie 500 parked on the corner. Leslie Salt Company’s San Francisco headquarters at 505 Beach Street is seen down the block.

… and Now, Here’s today’s view; Leslie Salt Co. is no longer in business.

 

On a trivia note, Leslie harvested its salt from evaporative salt ponds located around the south bay shoreline, storing it as massive salt mountains near the Redwood City Marina, pictured here in 1977. Leslie was bought by the Cargill Company in 1978; they ceased production here in 2006 after which the mountain was sold by degrees until it was gone for good.

 

Then … the agent follows George up Hyde Street giving us a glimpse of the tourist favorite Buena Vista Cafe at 2765 Hyde.

… and Now, The cafe/bar is still there and as popular as ever. It dates back to 1916 when it was a saloon but it was only after 1952 when the owner had a light-bulb moment that his establishment became a cash cow.

… that’s when he formulated and introduced the “perfect Irish Coffee”, a mellifluous blend of sugar, coffee, Irish whiskey and cream (added in that order). Millions of grateful palates have over the years marveled at how its primeval warmth counters the city’s chill with each salubrious sip.

 

One On Top Of The Other - Surprise News

During a photoshoot at Jane’s studio George tells her of surprise news - unbeknownst to him Susan had taken out a life insurance policy before she died and he is the beneficiary. Of $2,000,000. The studio interiors were filmed in Italy at the Cinecittà Studios in Rome.

 

Then … at the Dumurrier clinic (described earlier) Henry listens as George is hounded by a lender but is now able to tell him, thanks to the insurance payout, that he will soon get the money. The scene was filmed in the Lodge at Pebble Beach where the window view looks south beyond Carmel.

… and Now, this same view was taken in front of the Lodge. The 18th Green of the famous golf course is in the center.

 

Then … The two lovers are next seen dining at a restaurant with a colorful sign.

… in the 1960s … here’s a vintage photo of the restaurant as it looked when the movie was filmed - it’s the Fishermen’s Grotto at Fisherman’s Wharf (map). It started life as fish stall #9, becoming a 2-story restaurant in 1935 then expanding over the years into a perennial tourist favorite.

… and Now, the restaurant including its array of striped lantern posts is remarkably unchanged in over a half century. However it is still closed (July 2021) even as other restaurants have opened up following removal of city-wide pandemic restrictions; its future at this time appears uncertain. Here’s hoping the 86 year-old eatery, one of the largest in San Francisco, survives.

 

Then … But someone is very interested in George - we get our first glimpse of a man in a fedora who is tailing him - a suspicious insurance investigator (Bill Vanders).

… and Now, in the matching image today the iconic circular yellow sign at left that heralds Fisherman’s Wharf is still there; it continues to light up at night as it did above. The lantern posts too have survived. Beyond that, Sabella’s restaurant on the corner of Taylor and Jefferson is now an Applebee’s.

 

Then … In the upstairs level of the restaurant, George gets a mysterious call to check out a local club. Curious, he decides to go, concocting an excuse and leaving Jane (looking every inch the fashionista) behind. The window view looks across Fisherman’s Wharf marina to high-rise apartment buildings dotted along the Russian Hill skyline.

… and Now, unable to get inside the shutdown restaurant, CitySleuth settled for this matching shot taken outside at ground level. The building that housed Rosario’s restaurant on Jefferson (its sign dimly visible above) is still there but the restaurant is long gone.

 

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