Then … Stevenson has already struck twice in the red light district of North Beach but he returns, on the hunt for more victims. From a cab he spots a promising multi-block array of clubs emblazoned in neon.
… and Now, this is the south side of Broadway looking east from Columbus Street. There aren’t as many clubs today but still enough to transform these blocks at night when their bright lights turn on. The Garden of Eden girlie club is still in business mid-block but the vertical Off Broadway blade sign seen above on the corner of Kearny Street now displays that of the Little Szechuan Chinese restaurant.
Then … The cab slowly cruises by the Garden of Eden at 529 Broadway. At left is Coffee Ron’s sandwich shop whose overhead sign is clearly visible in the Then image street view above. The doorway between them led to hotel apartments on the upper floors.
… and Now, today’s Garden of Eden sign appears to be the same one. The Coffee Ron’s space, its facade since remodeled and clad with black tiles, is now the home of the Paname night club.
Then … They pass the Penthouse Cinema at 515 Broadway whose offerings include nude girls on stage plus a bonus: the adult porn movie The Devil In Miss Jones.. Next to it at left the Off Broadway stage entertainment club on the corner of Kearny Street trumpets its Lady Wrestlers show.
… and Now, today a French drinks and tapas lounge, Paris 75, occupies the cinema site while the Off Broadway has morphed into a Chinese restaurant offering Szechuan cuisine.
Here’s a vintage 1970s photo giving us another look at the Penthouse Cinema as it was back then.
… this photo of Off Broadway alongside the Penthouse Cinema was taken in 1980 a year or so after Time After Time was filmed.
Two blocks further down at 345 Broadway on the corner of Osgood Place Stevenson spots a girl dancing atop a pole outside Gorman’s Gay 60’s nightclub. The building in the background advertises its occupant, the Homestead Ravioli Company at 333 Broadway.
… In 1967 … in this vintage photo we can see how the dancer accessed the high perch. Behind her is the parking lot of Gorman’s club (the club itself was set back some from Broadway down Osgood). Note the line of lights to the right of the searchlight in the distance outlining the span of the Bay Bridge.
… and Now, an office building, currently for lease, has been built on that corner parking lot. The Bay Bridge is clearly seen from here.
… In 1964 … this earlier photo was taken of the parking lot and club with its original name of Gorman’s Gay 90’s. Osgood Place runs downhill on the right. Above and behind it are the US Appraisers Building on Sansome (center) and the Gateway Apartments on Battery (left).
… and Now, this recent photo of Osgood Place shows the building that replaced Gorman’s.
Then … The next day Amy drives to work, here passing a block-long brick building.
… and Now, she was approaching Larkin heading east on Beach Street past Ghirardelli Square in the Fisherman’s Wharf/ Aquatic Park neighborhood. Note the octagonal store in the upper left corner - we are about to get a closer look at it …
Then … As Amy turns into Larkin the camera pans up and zooms towards an elevated corner store selling women’s clothing where we see Stevenson turning on the charm with the pretty assistant. The barely legible window sign - it reads William Silva - led CitySleuth to its location; it was listed in the 1978 City directory as the William A. Silva Salon in Ghirardelli Square.
… and Now, the distinctively shaped building is still there, occupied since 2021 by Mexican restaurant Barrio.
She invites him to her place. Bad idea.
The swish of a blade and the deed is done. Once again director Nicholas Meyer chooses to show the consequence, not the gore.
Then … Amy takes Herbert to a movie at the Cinema at Ghirardelli Square at 901 Beach Street in the Marina District where he’s scared out of his wits by the violent action, the likes of which he has never seen before. Below, they have just exited the theater. The movie name is interesting, The most recent Exorcist movie back then then was Exorcist 2 … this was a dig by director Meyer at the Hollywood penchant for sequels (but years later he would himself co-write the sequels Star Trek II: The Wrath Of Khan and Star Trek IV: The Voyage Home.)
… And Now, the cinema is no longer there; the site now houses commercial offices.
This Dec 1974 photo shows the cinema as it was whenTime After Time was filmed - note the same Marquee sign. The preceding tenant in the building (it used to be an old Power House) was the Hungry-I nightclub which had moved there in the 1960s from its better-known North Beach location. The cinema opened in Aug 1971 but never did well, closing in Dec 1986. The movie entrance was the 3rd archway from the left; today that has been remodeled as a matching window and the entrance is now in the first archway on the left. On the right, Polk Street tees into Beach.
Then … They walk by a newspaper stand not noticing, but we do, the chilling headline … is Stevenson up to his old mayhem again? Behind the gawkers across the street is an interesting building …
… and Now, this is part of the ship-shape ship-shaped port-hole windowed Maritime Museum at Aquatic Park.
Then … By now Herbert is more than happy to tag along with Amy and when she invites him to her place for dinner he readily agrees. Her home happens to be in the Marina district across from the Palace of Fine Arts (we get to see it later in the movie) so on her way home after buying some food she introduces him to the grand edifice (although she bungles the facts a little, telling him it was built for the 1914 Pan American Exposition) …
… and Now, whereas in fact it was built for the 1915 Panama-Pacific International Exposition. It underwent an extensive rebuilding program from 1964 to 1974. This view looks across the lagoon from Bay Street near the corner with Baker Street. The fountain is still there!
This south-east facing enhanced vintage aerial photo shows the grand scale of the glorious exposition. The Palace, at lower right, is the sole on-site surviving structure. (There’s one other survivor, Firehouse No. 9, now called Firehouse No. 35, which was moved in 1915 to the Embarcadero next to Pier 22).
Then … She walks him through the Palace’s grand rotunda. Originally a wood and plaster structure, the replacement was built with steel and concrete.
… and Now, the Palace is exactly as it was other than an accumulation of grime but the Baker Street residences in the distance have undergone significant changes.
There’s nothing quite like an intimate dinner and a glass of wine to put one in the mood. He stays over and they do it.
But he is jolted out of his reverie by a radio news bulletin about a second North Beach brutal murder of a prostitute. Startled, he realizes who must be responsible.
Then… Jo and Steve meet on the municipal pier at Aquatic Park (map), a place popular with local fishermen who enjoy the added bonus of great views in all directions. The 1400 foot-long circular pier was built in 1933; it has slowly deteriorated over the decades resulting in its recent closure to the public in 2022. That’s Pier 45 at Fisherman’s Wharf in the background at upper left, drawn in by the telephoto lens.
… and Now, the fishermen above were between the two lampposts below, near the far end of the sweeping breakwater pier. For the matching photos in this post Citysleuth found online images taken pre-closure. The cylindrical concrete structure seen ahead was meant to be a concessions stand complementing two similar ones on the shore at Aquatic Park but it never was completed.
Then… Steve wants to know why Jo refuses to go to the police about the stolen money. When Jo defends Chan, talking about his struggle to find his identity in America, Steve gets angry. In the background we see the liberty ship S.S. Jeremiah O’Brien berthed at Fort Mason, a rare survivor of the 2,710 liberty ships built to supply troops and critical materiel to Europe during WWII.
… and Now, The Jeremiah O’Brien was berthed here for many years but has since been moved to Pier 35. Note the decaying condition of the municipal pier’s concrete wall; note too the fence that was erected down the middle to exclude the public from this more dangerous seaward-facing half of the pier before it was finally closed completely.
This 1982 photo shows the Jeremiah O’Brien at its Fort Mason berth around the time Chan was filmed (compare it to the Then image above). It has been completely restored and is one of only two liberty ships still operational today. Interesting trivia - its engines were filmed for the engine room scenes in the movie Titanic.
Then… Steve lays into Jo, telling him there are no identity problems in the community any more. His voice rises … “What are you tripping on this sh-t for? The guy f-cked up man, he couldn’t cope with it”.
… and Now, in both photos we see an art deco building alongside the Aquatic Park beach at far left. Originally a bathhouse, it’s now a maritime museum.
… in 1948 … The pier and the bathhouse are seen here in 1948, nine years after the depression-era W.P.A-funded Aquatic Park project officially opened to the public (the aforementioned unfinished concessions stand is visible at the end of the pier). Designed to resemble an ocean-going ship the sleek streamline-moderne building provided swimmers with changing rooms and showers . At one time it also housed a private upscale restaurant and nightclub until outraged protests succeeded in shutting it down. Note the sidewalk waves lapping against the Beach Street entrance - a touch of whimsy.
… and Now, The bathhouse became a maritime museum right after troops who used the building during WWII handed it back. Hey, those waves are still there today!
Then… Steve gets increasingly agitated but Jo is adamant; he won’t report his friend to the police. They separate, backs turned.
… and Now, the Golden Gate bridge is but one of the many fine views from here. The pier wall was showing damage 40 plus years ago, above, but is far worse now, below.
Back at Chester’s Cafe they sit, wordless, Steve silently stewing. Chester’s was popular with workers from the cable car barn at the end of the block, some of them seen here in the background.
Then ... Larsen has been assigned to tail suspect Camerero, beginning at a small gym alongside the bay.
... and Now, the gym, still there, belongs to the Dolphin Swimming and Boating Club at 502 Jefferson Street at Aquatic Park (map). On the right, above, the schooner moored at the Hyde Street pier is the Wapama; it has since been dismantled and in its place, below, we now see the square-rigged sailing ship Balclutha. On the left, there's a small jetty...
... here's a view of the gym in a recent photo looking back from that jetty. The Dolphin Club is cheek by jowl with another club, the South End Rowing Club on the left.
Then ... next up, an energetic game of handball.
... and Now, the court, in the same building, continues to keep club members on their toes.
Then ... Camerero moves on to a hairdressers with a window view that identifies this location... that's Fredericksen's venerable Cow Hollow hardware store across the street.
... and Now, the same view from inside the store that currently occupies this site. To the left it has since been expanded into the store next door.
The store is currently the Simply Chic boutique at 3038 Fillmore (map) but back then it was a men's hairstylist called Forum II.
Fredericksen's has been serving the Cow Hollow neighborhood at 3029 Fillmore since 1896. In this recent photo the part of the store visible through the hair stylists' window in the Then image above is outlined in yellow.
Then ... The surveillance continues in a parking garage as the suspect walks to his car.
... and Now, this was filmed on level A of the underground garage of One Embarcadero Center in the Financial District.
Then ... But when Camerero exits the garage, this isn't One Embarcadero Center...
... and Now, instead, it's the Clay Street exit of the Golden Gateway Garage across the street from One Embarcadero Center (map), viewed from a pedestrian bridge spanning the road.
Then ... Jake follows him to a narrow street and watches him pull up outside a club where an awning marks a discreet entrance.
... and Now, this is Ritch Street, an alley in the SoMa South Beach neighborhood close to AT&T Park, home of the San Francisco Giants (map).
Then ... As Camerero enters the club the awning displays the address - 330 Ritch Street. This was the Ritch Street Health Club, one of the many bath houses that catered in the pre-Aids era to the gay men's community before they were all shut down by the City in the interest of public health.
... and Now, that same doorway has since been re-addressed as 360 Ritch Street. Comparing the Then and Now images you can see the identical outline of the bricked-in former windows next to the doorway. Today retail and commercial businesses occupy the building including the Little Skillet whose Southern Comfort food serves an eager lunch crowd daily from the shuttered window on the left.
Here's a vintage poster advertising the club that left no room for the imagination as to the activities inside.
Then ... Inside the club entrance a stairway draped with a colorful tapestry leads up to their "exciting psychedelic 3rd floor".
... and Now, a storage closet has been built under the stairway at left and plain white walls make for a more appropriate approach to the offices above.
Then ... Another day but still tailing. Larsen tries his best to look inconspicuous when Camerero walks right by him after exiting the narrow alley flanked by the pair of concrete bollards. Note the vertical sign - 'Poster Alley'.
... and Now, this is Union Street in Cow Hollow - Larsen was sitting at the steps of 1960 Union Street (map) in the center of the seven-block stretch that back then was a much-touted tourist shopping favorite. Poster Alley ran alongside the Artisans poster and framing store at 1964 Union, there since the early 1950s. Customers could view posters and prints hanging in the alley and buy them in the store.
Artisans is still in business but recently moved to the Sunset district. In a sign of transition the photo below taken in January 2016 pictures the empty store up for lease. The bollards are still there on either side of the garage door that now blocks access to the old Poster Alley.
