Reel SF

San Francisco movie locations from classic films

San Francisco movie locations from classic films

Filtering by Tag: Union Square

Time After Time - Jewelry For Sale

Then … Herbert needs cash. Fortunately he had brought his landlady’s jewelry with him for this very purpose. He first goes to Blackwell Antiques at 563 Sutter Street near Union Square - they deal in estate jewelry, it’s as good a place as any to try to sell it.

… and Now, Blackwell Antiques closed down years ago; the writing on the window tells us all we need to know about 563 Sutter today.

 

Then … They agree on a value but the shop owner won’t buy it without first seeing an I.D. which of course Herbert doesn’t have. He gathers up the jewelry and leaves.

… and Now, the buildings seen above across the street have different tenants but otherwise they look the same. The blue sign over the doorway left of center, above, read 560 Sutter; the number is still there but is now in fanciful art nouveau style. The arched entrance next to it has lost its awning but looks better for it.

 

Later he tries elsewhere … as he approaches a pawnbroker (at far right) a sign next door conveniently displays the address of a business there - 2447 Mission Street. CitySleuth should always be so lucky.

Then … We see more of the storefront as he walks up; the 1978 city directory listed it as the Argonaut Jewelry and Loan Pawnbrokers at 2449 Mission between 20th and 21st in the heart of the Mission District.

… and Now, it has a different owner but it’s still a pawnshop decades later. The storefront tiles are now painted and muraled over.

 

Then … We see a wider view of the same store when he returns to it later on. Note the movie theater next to it.

… a vintage photo… this 1975 photo captured the Argonaut exactly as it appeared in the movie a few years later. The theater next to it was the Tower Theater at 2465 Mission.

… and Now, the theater opened in 1912 as the Majestic Theatre. It closed in 1996 and remains closed today but recent renovation activity holds promise for a new life for the currently blighted, graffitied site.

 

This time, no questions asked, a deal is struck, but not before Herbert is surprised to see guns on sale there. Unheard of in England, by Jove!

 

The Last Edition - All's Well That Ends Well

Then … Clarence and the police motorbike escort head up California Street during their dash across town to get Blotz. Kearny Street crosses at the end of the block.

… and Now, most of the buildings lining California street have since been replaced. Still there though way at the bottom of the hill is the Southern Pacific Building, built in 1917 as the headquarters of Southern Pacific Railway. Beyond it is the Bay Bridge, not built until 11 years after the scene above was filmed.

 

Then … They overtake a cable car as they speed up California. The landmark Sing Chong Building is on the corner of Grant Avenue.

… and Now, a century later it’s still there.

The Pagoda-styled Sing Chong Building was built in 1907. Local residents and Benevolent Societies had wasted no time rebuilding Chinatown following the 1906 earthquake and fire as a statement to city government that they were not about to be resettled anywhere else.

 

Then … The cop leans his bike to his right around a tight bend…

… then leans over to his left, apparently negotiating an S - curved street. More of the building behind him is now revealed, helping to confirm this location.

… and Now, here’s that building, still there. It’s 60 Leavenworth, an apartment building with street level retail stores on the corner of McAllister. Credit to reader Notcom who found it.

In this late 1920’s aerial photo you can see the curved street 3 blocks east of City Hall.

It’s more clearly seen in this 1931 aerial photo; tap or click the image to see how it looks today. The curve was straightened out in the mid-1930s to make way for the Federal Office Building at 50 U.N. Plaza.

 

Then … Continuing on, in the next shot the Geary-Mason Drugs sign on the right is a giveaway to this location. That drugstore was at 400 Mason so this view looks south along Mason Street with Geary crossing in the foreground. The Hotel Minster sign on the left a block down was at 312 Mason.

… and Now, 312 Mason is still a hotel; more specifically an international hostel.

 

Then … Almost there! This shot revisits a junction appearing twice before during the frantic dash. Here they head west on Market Street having just driven out of Golden Gate Avenue over on the right. The turrets of the Granada Theater can be seen near the end of the block beyond the car.

… and Now, the Granada Theater has long since been demolished and replaced.

 

Viewed from the opposite direction this vintage photo captured the Granada in 1921, the year it opened. The opulent theater was one of many that sprung up along the length of Market Street during the silver screen heyday of the 1920s and 1930s. It was renamed the Paramount in 1931 and eventually demolished in 1965.

 

They arrive in time - it’s game over for Blotz, Red Moran and, at City Hall, D.A. Fuller.

As the bad guys are hauled into their cells, Tom and Ray are released from theirs to a joyful welcome by Mary and Polly McDonald. Even Chronicle Proprietor Hamilton gets in on the act, proclaiming to Tom … “They’ve found their man McDonald, and I have found mine!” All’s well that ends well.

In the movie’s final frames Polly turns to Clarence, the derring-do hero of the day. Boy, does she owe him!!

 

The Last Edition - Clarence Rushes To The Fire

Clarence and on-duty cops are at the police station when he hears the news of the Chronicle fire …

… they pile into a car, Clarence hanging on the side, to rush across town to Chron headquarters. (This doorway location is yet to be found - a Los Angeles precinct, a studio back lot, somewhere else?).

 

Then … They drive out of Golden Gate Avenue in downtown San Francisco, captured here turning east on Market Street. The projecting marquee of the Granada Theater at 1066 Market Street can be seen in the block behind them near the corner of Jones.

… and Now, the same block today. The Granada Theater is no longer there; after being renamed the Paramount in 1931 it was demolished in 1965.

 

Then … They are on Market again. This view was filmed looking east from 1st Street towards the Ferry Building in the background. Note at top center the ‘MOISE’ sign on the corner of Fremont Street…

… in 1930 … Here’s a photo taken a few years later from the same spot. A city directory entry revealed that the ‘MOISE’ sign belonged to the Moise-Klinkner store that sold a mix of rubber stamps, badges and signs.

… and Now, the traffic nightmare omnipresent on Market Street over the past century has recently been exorcised by the simple expedient of restricting access to commuter vehicles and taxis. Dead center in the distance the Ferry Building still stands like a sentinel on the Embarcadero, visible along most of the 3-mile length of arrow-straight Market Street.

 

Then … Now heading north they are on Stockton Street entering the south portal of the Stockton Tunnel near Union Square. Market Street crosses at the south end of Stockton.

… and Now, the first block on the left was rebuilt in 1960 as the Sutter-Stockton garage.

 

Here’s a reverse look at the south entrance of the tunnel in 1953 seven years before the current Sutter-Stockton garage was built.

… and just for fun check out this cool 1913 photo of the tunnel being excavated. It opened in 1914 after taking only 17 months to build. People worked hard in those days. The building at top right at 590 Bush Street is also visible in the image above.

 

Then … We then see them emerging from the tunnel’s north portal into Chinatown.

… and Now, the north portal today looks the same.

 

Clarence arrives outside the Chronicle press room to find an angry crowd surrounding Tom, wrongly accusing him of starting the fire. He is hauled off to jail where he briefly sees Ray before being dragged off to his own cell.

 

Meanwhile the fire rages on while a growing crowd of onlookers gather where Market Street and Geary come together. Customers of Bercovich Cigars on the ground floor at 700 Market Street could conveniently head up to dentist Chas. Strub on the 3rd floor to take care of the yellow stains. The stylishly-hatted lady in white on the 2nd floor windowsill has the best view of all.

Then … Across Market another crowd stands in front of the Monadnock Building at 685 Market adjacent to the Palace Hotel.

… and Now, The Beaux Arts building, built the year after the ‘06 earthquake, now features in its atrium lobby colorful murals depicting in Renaissance Baroque style many well-known San Francisco personalities including Mayor Adolph Sutro, fountain donor Lotta Crabtree and Supervisor Harvey Milk.

For history buffs here’s a 1910 postcard photo of the Monadnock showing the original iteration of Lotta’s Fountain in the foreground.

 

The Last Edition - Newsstand

(The next location shot lasts for less than two seconds but there’s enough in it to justify a dedicated post… read on… )

Tom, mortified by the Chronicle’s front page exposé of the bribery arrest of his son, tries to stop the presses but he’s knocked to the ground in a tussle with his boss.

 

Then … He imagines a busy downtown street, seen here through the doorway of a corner store as a cable car passes by. Lots of people are walking past a newsstand and in his mind’s eye he sees them all snapping up the Chronicle’s scandalous last edition.

… and Now, here’s what a time traveler standing in that doorway would see today. The view looks east across Powell Street along O’Farrell to Stockton (at the Macy’s sign). A cable car passes by just as it did, above, one hundred years ago. CitySleuth is delighted that the old low-tech cable cars are still running. May they always.

 

This location was confirmed by identifying the two buildings on either side of Stockton circled in red and in blue, and by the sign circled in green…

… Here are contemporaneous vintage photos of those two buildings. On the left, circled in blue above, is D. Samuels Lace House Company (today replaced by Macy’s store). On the right, circled in red above, is the City Of Paris store with its huge rooftop sign, (today replaced by a retail/residential building). In 1925 when the movie was filmed the KFRC radio station (you did spot its vertical blade sign above, right?) was broadcasting from this store. (Note that the City Of Paris occupied the whole Stockton block from Geary to O’Farrell back then - the photo shows at far left an identical rooftop sign at Geary Street.

In the movie shot the sign partially legible in the green circle reads “… INTON …IA”; it’s part of the Clinton’s Cafeteria sign mid-block at 136 O’Farrell, listed below in the 1925 city directory.

 

Just in case more confirmatory proof is needed … note that this location was a street junction where cable car lines crossed as evidenced by the glimpse of another cable car down the road, circled in red…

A cable car map of the system as it was after the 1906 earthquake confirms that the California Street Cable Railroad ran along O’Farrell across Powell (circled in yellow). This map is fascinating; it shows how extensive the system used to be, extending west to Golden Gate Park in the Richmond and south to Noe Valley before being cut back to today’s 3 surviving lines.

 

But wait, there’s more … kudos to ReelSF reader Notcom for pointing out that the headlines of the newspapers on the stand precisely date when this scene was filmed…

Two different newspapers report the death of politician William Jennings Bryan … the date was Monday, July 27, 1925.

 

And finally, this ad in a newspaper dated April 11, 1925 tells us that the corner store from which the scene was filmed was the Lundstrom Hat Company store; they had opened up there, their 9th location, just 6 weeks prior. Thanks to the vicissitudes of fashion, there aren’t many of those stores around any more.

 

Here, photographed the year the movie was filmed, is the actual newsstand that was at the Stockton/O’Farrell street junction. The photo indicates it was at the northeast corner which is kitty-korner from the southwest corner location in the movie shot but who knows, perhaps it was moved there during filming.

 

Enraged, Tom grabs a spanner intending as it were to throw it in the works.

 

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