Then ... After a long day at the surveillance convention, Caul and buddies decide to party at his workshop - they pile into a car inside the St. Francis Hotel's parking garage entrance on Geary Street (map).
... and Now, there are mirrors on some of the pillars and the fire extinguisher recessed into one of them has been removed otherwise 40 years on it looks very similar.
Then ... They are crossing Fillmore Street heading west on Lombard in the Cow Hollow neighborhood (map) when a yellow Mustang suddenly cuts in front of them and roars off.
... and Now, at the same junction. Peter's Auto Radio store on the corner of Fillmore at far right above is now a children's toy store. The Arco Car Wash and service station visible above down the block was replaced in 1978 by the Cow Hollow Motor Inn, hidden from here by the trees.
Caul's surveillance partner Paul (Michael Higgins) is the driver. But that's a moonlighting job - he's also a cop and, determined to give the exhibitionist driver a run for his money, he takes off after him. The filming of the chase that ensued jumped back and forth along the five block stretch of Lombard between Webster and Divisadero.
Then ... The two cars, tires screaming, next make a hard right from Lombard into Pierce. Across the street at far right there's a chain restaurant, the International House of Pancakes.
... and Now, the restaurant is still there, rebranded as IHOP (International House of Pancakes ... get it?). So too is the Surf Motel, but Irv's Union service station seen above on the corner is now gone, replaced in 2007 by the condo/retail building below.
Then ... In the next shot they are on Webster, turning at high speed back onto Lombard, this time heading east. Paul is driving his official car and he decides to have some fun - he calls headquarters and requests a '10-28' (vehicle registration details) on the Mustang.
... and Now, for the most part time has stood still on this corner except for changes with the traffic lights.
Then ... During the 10-28 call Paul tells headquarters he's heading east on Lombard but even as he speaks we see they now heading west; they have just crossed Scott.
... and Now, the Sands Motel at 2440 Lombard today is a Super-8 motel and further along the Bank of America branch at 2460 Lombard became, until it recently closed, a Blockbuster Video store.
When the Mustang pulls up at a stop sign we recognize it as the 1970 Boss 302 model with its unique hockey--stick side stripes that cross over the hood. Paul stops alongside it and shouts across to the startled driver ...
" Heyyy ... Willie Sanchez ... 654 14th Street ... 162 pounds ... 5 foot 10 1/2 ... Shithead! "
Then ... Now it's Paul's turn to roar off leaving the Mustang driver wondering what on earth just happened. The cars had stopped at Lombard alongside the Doggie Diner restaurant at 2099 Lombard Street at Fillmore This view looks south past the Mustang along Fillmore Street to its steep climb up to Pacific Heights.
... and Now, another Motor Inn, the Chelsea, now occupies the southeast corner site where the Doggie Diner used to be. The tall building at the top of the hill is the prestigious 2288 Broadway co-op apartments.
Several scenes in the movie were filmed at the Hall of Justice, the headquarters of the San Francisco Police Department at 850 Bryant Street in the SOMA district. The gargantuan monolith was built in the 1960s to replace the predecessor headquarters at Portsmouth Square (seen here in the 1958 movie The Lineup). Here's a recent photo of 'The Hall'.
Then ... Larsen has been assigned to replace Jake's murdered partner. The investigators meet at the Coroner's office to view the bus victims - the facility is at the north side of the Hall (map). The elevated freeway seen from the lobby through the window on the right is interstate 80 heading east toward the Bay Bridge
... and Now, it's still in the same place but the coroner's office is now known as the Medical Examiner's Office. A modern prison facility, visible in the background, was added in the 1990s.
This aerial shows the location of the Medical Examiner's office (arrowed) and the adjacent futuristically styled prison building. Bryant Street runs across the bottom with 7th Street crossing at far left. Look at how closely I-80 passes by the prison cells.
Inside the morgue the victims are laid out for the coroner's scrutiny but Jake and Larsen are more interested in the victims' belongings - they sift through them looking for clues that might lead to the gunman.
Then ... The exterior of The Hall may be drab but on entering the main entrance visitors are pleasantly surprised to find a warmly marbled open space. This view of Larsen as he enters was filmed through the glass partition of the Public Information desk.
... and Now, the entrance lobby today is not so open. There are now airport style bag scanner lines and a partition has been installed to the side of the information desk. It's good though to see those same chandeliers.
Inside the Hall Jake's boss Lt. Styner (Anthony Zerbe) is becoming impatient with the lack of progress and demands results from them both.
Then ... They exit the building via the main entrance on Bryant Street.
... and Now, there are some changes, the most obvious being the handrails. And, the steps look as though they have been replaced or resurfaced.
Then ... As they drive off we are looking east down Bryant. 6th Street crosses between the Boormann Steel building and the Coca-Cola billboard down the road at 5th and there's a Standard Chevron gas station at right on the corner of Harriet. Note the Fallout Shelter sign on the left- there's not many of them around these days.
... and Now, a parking lot has replaced the gas station, the Boormann Steel building is gone but the Coca-Cola in-your-face message lives on. Those SFPD vehicles are blatantly double-parked but who will ticket them?
Prisoners on their way to Alcatraz embarked from a small pier at Fort Mason, adjacent to Aquatic Park (map). (Fort Mason had its own pier numbering system independent of the city's waterfront Embarcadero piers). The sign informs us that these boats also supplied Fort McDowell on Angel Island .
Then ... Larwitt is driven to the pier down a narrow boardwalk alongside the Aquatic Park municipal pier. At far right is the newly built (in 1939) bathhouse building and behind it the Ghirardelli Square clock tower. Coit Tower atop Telegraph Hill is there too, hiding behind the wooden post.
... and Now, the Alcatraz Pier has survived but in poor condition and is now off-limits to the public. CitySleuth captured this matching view from the municipal pier ... considering the passage of 70-plus years it's remarkably similar from here except for the TransAmerica Building on the horizon to the left of the extant clock tower. Coit Tower is clearly seen and in both Then and Now images you can make out the white speaker tower behind the bleachers, one of a pair erected on either side of the bathhouse.
... and Now, taken through the locked gate, here's a recent photo of the Alcatraz Pier. Alcatraz Island is out of the picture to the right.
In this great image Larwitt, flanked by and handcuffed to federal guards, gets his first glimpse of his future home - he won't be needing that natty attire for the next ten years. The bathhouse and the second speaker tower are seen behind him. (This closeup was filmed in a studio with a photo plate backdrop).
Then ... What he sees is Alcatraz sitting there, imposing, intimidating, awaiting.
... and Now, the federal prison was operational only from 1934 to 1963 and is but a part of the history of Alcatraz Island. In the recent photo below, with the Alcatraz Pier in the foreground, a few changes can be seen, including the water tower built in the same year (1940) the movie was released. The island today is a huge tourist destination hosting a million visitors annually.
Then ... The feds lead him down the gangway but a knowledgable observer would recognize that this isn't the same pier, in fact Fort Mason is two miles away, visible from here in the distance just right of center.
... and Now, this was filmed at the small coastguard pier near Crissy Field in the Presidio. A second shed alongside the smaller square one has since been added and an adjacent pier on the right is gone.
On a trivia note here's the same location from the 1958 movie The Lineup by which time that second shed had been built (in fact it was already built by 1947 as seen, together with the adjacent pier, here in the movie Dark Passage.
The red and white markers on the map below show the locations of the two piers relative to each other.
... but as the boat pulls away we are back at the Fort Mason Alcatraz Pier.
Then ... The next shot looks back towards the bathhouse and speaker tower.
... and Now, 1939 coincided with the tail end of the Art Deco period and its Streamline Moderne influence on the speaker tower and bathhouse are clearly evident.
CitySleuth couldn't resist including this cute vintage photo taken the year the bathhouse was built. Intended primarily to broadcast sports events, the speakers went silent decades ago.
Brenda has witnessed the prisoner transfer - the poignant sight of her husband's slowly receding boat heralds a significant life-changer for them both.
A Security and Surveillance Conference is being held in San Francisco on the mezzanine level of the St. Francis Hotel at Union Square (map) and Caul is in attendance. A vendor goes through the motions of pitching his product to him until he notices the name tag ... he switches gears, pressing him to accept a free sample, anything to be able to associate his product with the man considered preeminent in the field.
Then ... Caul is sitting in at a presentation when one of his team runs over to invite him to come meet a competitor, another well-known surveillance expert.
and Now ... this was filmed in the Colonial Room at the St. Francis. Except for the mural on the wall, attendance at a presentation in the same room today would offer an deja-vu experience.
Then ... In the main hall Caul meets the competitor, the also-mustachio'd Bernie Moran (Allen Garfield), but is surprised and hurt to find that his assistant Stan, below left, is now working for Moran.
and Now ... the convention booths were set up in the Grand Ballroom at the St. Francis, pictured below in this recent photo. For the movie scene the booths were set up on the right side of the room - the part of the wall seen in the background above is where the white screen (on the right) is mounted below.
Then ... Further evidence indicating that these scenes were filmed in the grand ballroom comes from on-the-set footage (an extra on the DVD) which includes this shot from behind the cameraman clearly showing the room's raised ceiling areas where the chandeliers hang.
and Now ... the raised ceiling areas viewed from the same spot.
Then ... Caul finds a telephone in a quiet part of the hotel to call his girlfriend Amy but is told the number has been discontinued. True to her word (described here in an earlier post), she doesn't want to see him again. Note the model of the St Francis Hotel and Union Square in the foreground.
and Now ... this spot is on the hotel's second level, one up from the Grand Ballroom. The red border outlines the camera's field of view above - the telephone has gone but there's still an under-stair closet.
Then ... Who should be sitting there watching him make the call but The Director's assistant Stett. Caul is furious, accusing him of following him, but Stett brings a message - the Director is back in town and is ready to receive the conversation tapes in person. In this carefully framed shot both Caul and the hotel model are reflected in the mirror, extending the confined space in a most effective way.
and Now ... artwork featuring the Bay Bridge has replaced the mirror but it's still a place for casual seating. Hotel guests can sit here and sense the presence of Harrison Ford - "Feel The Force!". (Oops ... wrong movie).
