One On Top Of The Other - Where is Elizabeth O'Neill?
While looking at photos of fashion models at Jane’s studio George recognizes one of them; she was the nurse who had been on duty at his home the night Susan died. Knowing he is prime suspect number one in the police investigation and vehement in denying culpability, he realizes that finding her might help him.
Then … Jane wants to help George find the nurse. She meets her partner Larry at a photoshoot in the Japanese Tea Garden in Golden Gate Park (map). The Torri Gate is behind the model posing at the top of the steps and behind that, the multi-tiered Pagoda. At left is the Temple Gate.
… and Now, CitySleuth was disappointed on arrival to find the Pagoda undergoing renovation, wrapped in plastic. A couple of notable changes are apparent: the Temple Gate is now a taller structure following a renovation in 1985 after deterioration of the original and the Torri Gate is gone, having been removed to storage in 2001, also because of deterioration.
But no worries, here’s a 2012 image showing the Pagoda without the offending shroud. The gardens were immaculately kept back then before the pandemic shutdown.
Then … Knowing that Larry had hired the nurse she asks him if he can remember her name or how to get in touch with her. From here the Pagoda is viewed across an ornamental lake; the glimpse of red at far left is part of the Temple Gate.
… and Now, 53 years later here’s that same boulder Jane was resting against. Also the leaning tree trunk next to it.
Then … Elsewhere in Golden Gate Park, Larry (French actor Jean Sobieski) recalls only that the nurse was an occasional hooker on the side.
… and Now, they were a ten minute walk away at the Conservatory of Flowers (map), a botanical garden in a vast greenhouse thought to be inspired by the one in Royal Kew Gardens in Richmond, London. The Conservatory opened in 1879 and over the decades since then has survived two serious fires, years of inadequate maintenance and a devastating wind storm in 1995 that smashed 40 percent of its glass panes, necessitating an 8 year closure. A blessing in disguise because following a $25 million restoration it reopened in 2003 in the pristine condition seen here. Compare it to its shabby state above.
Then … Jane asks Larry to hire Monica to pose for a photo layout at her studio as a ruse to find out if she knows the nurse. He makes the call from a phone booth at Fisherman’s Wharf. (Check out his cool British sports car, a late 1960s Morgan Plus 4).
… and Now, the matching shot was taken from the Red & White Fleet terminal at Pier 43 1/2 (map). The yellow Fisherman’s Wharf circular sign so recognizable to tourists is seen in both Then and Now images.
Car buffs might enjoy this fine example of a 1968 Morgan +4 on display at a concours d’elegance - compare it with Larry’s.
Jane sets Monica up for the shoot in a steamy interaction between the two to the sexy strains of composer Riz Ortolani’s score. She has already found out from inquiries around the club circuit that the nurse’s name was Elizabeth O’Neill and that she was a dancer who had in the past worked with Monica.
But the erotica suddenly ends when Jane flashes an image of Elizabeth on a screen and George appears, offering to pay for information on her whereabouts. Monica, angry, would only say that she had left town some time ago.