Reel SF

San Francisco movie locations from classic films

San Francisco movie locations from classic films

The Last Edition - Bootlegger Sam Blotz

At a local police station the Chronicle’s courthouse reporter slips a cigar to the desk sergeant then seeks the quid pro quo: “Do you have anything for me today?”

Then … In a later scene we are shown where this took place - Police Station 6 (although the interior scene may have been filmed in a studio).

… a vintage photo … John Bengston’s excellent website silentlocations.com revealed the location of this police station - read his detailed post about it here. It was set in San Francisco but was filmed at 1629 N. Cahuenga Blvd in Hollywood (map). The station - it shared a building with the Fire Department’s Engine 27 - was there from 1913 to 1930 during which time it appeared in many silent movies including comedies by Charlie Chaplin and Buster Keaton.

On a trivia note this fun photo taken in 1928 in front of Station 6 provided ample evidence that a cop’s day is not all work and no play.

… and Now, the music publishing company Real Songs, readdressed as # 1635, now sits squarely on the old fire/police station site. But the 2-story hotel on the left has survived (it’s partially visible in the vintage photo of the station, above).

 

The reporter is in luck; he calls the Chronicle’s city editor with a scoop: the police have set their sights on Sam Blotz, a suspected bootlegger.

 

Then … At far right the city editor asks a young staffer to bring him everything they have on Blotz.

… and Now, this was filmed on the 3rd floor of the San Francisco Chronicle’s 901 Mission Street building where reporters continue to work 100 years later in the same, albeit modernized, space.

 

Then … The newspaper’s librarians dig out information on Blotz.

… a vintage photo … here’s that same library in 1924 at the San Francisco Chronicle’s 901 Mission Street building. The wall-mounted files seen above are arrayed along the side wall. Note in both images the radiator alongside the column.

 

The editor shows the files and photographs to Clarence Walker (Polly McDonald’s suitor), assigning him the task of writing an exposé of Sam Blotz.

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